If the name Matthias Moosdorf does not instantly ring a bell, it may be because he hasn’t played much music of late. Moosdorf, 59, was fired by the Leipzig String Quartet in 2019 over his […]
John Adams’ City Noir was inspired by the cultural and social history of Los Angeles, with the composer himself calling it ‘an imaginary film score’, while Fearful Symmetries exemplifies his steamroller motor rhythms. The album […]
Wolf-Ferrari’s short opera is perfect for a one-night coupling, as Opera Holland Park have proved both this year, with Pagliacci (review), and, in 2019, with Tchaikovsky’s Iolanta (review). Susanna’s secret? As you can see from […]