November 2, 2024
Athens, GR 16 C
Expand search form
Blog

Korngold – String Quartet No. 1 and Piano Quintet – Severin von Eckardstein and Alma Quartet

Korngold – String Quartet No. 1 and Piano Quintet –  Severin von Eckardstein and Alma Quartet

While there has been a revival of interest in the music of Erich Korngold, for many his chamber music remains an unknown quantity. The young Dutch Alma Quartet, who have already recorded the Second and Third Quartets, here essay the superb A major and Piano Quintet dating from 1923 and ’22.   

The Quartet’s highly chromatic first movement might be described as a fight between its jagged first subject and lyrical second, which the Alma’s relish. They take their time in the lyrical Adagio and sing the sublime opening theme. The Intermezzo is delightful, with intricate melodic lines dancing over extended pizzicato passages. Here the Alma’s lightness of touch makes the Doric Quartet (Chandos) sound earthbound and they expertly delineate line and rhythm in the charming Allegretto finale. 

The Piano Quintet opens with a bouncy first subject, a beautiful second and a complex, extended development, which Eckardstein – whose pedal use and sense of balance are exemplary – and the Alma’s imbue with more romantic fervour, tempo variation and smoother lines than Kathryn Stott and the Doric Quartet. Korngold used his own song, Mond, so gehst du wieder auf, as the theme for the Adagio’s eleven variations and here it is a pleasure to hear modern performers taking a very slow tempo and observing the Mit größte Ruhe marking. They also enjoy themselves in the playful rondo finale and, as throughout the album, they seem to talk to one another – their intonation and ensemble are immaculate. 

Before looking at the sound, a word about the programme notes. As now seems de rigueur, the performers tell us about how much they love the music, their personal journey towards it and the like. But there is virtually nothing about the music, which isn’t acceptable on a full-price album featuring rare works.   

However the sound on the 24/96 download is excellent. The venue’s acoustic is audible and the balance is nicely middle-distance. Eckardstein never overwhelms his partners, whose instrumental timbres are reasonably full, the dynamic range, clarity and detail and are also pretty good. 

The post Korngold – String Quartet No. 1 and Piano Quintet – Severin von Eckardstein and Alma Quartet appeared first on The Classical Source.


Go to Source article

Previous Article

Is This Leonard Bernstein’s Loveliest Piece?

Next Article

David Pickard to step down as Director of the BBC Proms

You might be interested in …

Angela Hewitt at Turner Sims

Angela Hewitt at Turner Sims

Angela Hewitt’s recital brought together music variously conceived to entertain a royal patron, serve as a teaching manual, and consolidate youthful works which demonstrated a formidable keyboard technique. At some forty minutes Brahms’s Third Piano […]