An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
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Let’s see it try the Elgar concerto. Watch here. The post Watch: Robot plays cello solo with orchestra appeared first on Slippedisc.
In an interview for the classical music platform BackstageClassical (also available as a podcast), Peter Gelb, General Manager of the Metropolitan Opera in New York, warns of the far-reaching consequences of Donald Trump’s presidency for […]
Dorn Music, sometimes regarded as a wild card in the agency business, has just grabbed two soloists from other firms. Pianist Martin Helmschen has joined from K D Schmid. And cellist Marie-Elisabeth Hecker has signed […]
