November 8, 2025
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Fascinating, distracting & frustrating: Janáček’s Makropulos Case gets its first production at Covent Garden in director Katie Mitchell’s farewell to opera James Blades: Pandemonium of the One-Man Band – James Anthony-Rose on his new music theatre piece on the great percussionist Exile: Koptachinskaja and Kaufmann From bel canto to Harlem Renaissance: Lawrence Brownlee & Iain Burnside’s recital at Wigmore Hall A somewhat quirky mood: Stephen McNeff’s new violin concerto for Fenella Humphreys & London Mozart Players mixes Baroque inspiration with something more contemporary
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Filipina is lone outsider in Metropolitan Opera winners

by tritonous
Filipina is lone outsider in Metropolitan Opera winners
Yesterday’s winners at the Met Opera’s Laffont Competition are:
Sadie Cheslak, 30, mezzo-soprano (Duluth, Minnesota)
Michelle Mariposa, 30, mezzo-soprano (Quezon City, Philippines)
Luke Sutliff, 28, baritone (Denver, Colorado)
Alissa Goretsky, 25, soprano (Los Angeles)
Emma Marhefka, 25, soprano (Allentown, Pennsylvania)

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An American winner in Vienna
Slipped Disc

An American winner in Vienna

by tritonous

Derek Hartman, 28, has won the 17th international Beethoven piano competition in Vienna. He’s studying for a PhD at Yale and teaching at Vanderbilt University’s Blair School of Music. The post An American winner in […]

Latest Posts

Fascinating, distracting & frustrating: Janáček's Makropulos Case gets its first production at Covent Garden in director Katie Mitchell's farewell to opera

Fascinating, distracting & frustrating: Janáček’s Makropulos Case gets its first production at Covent Garden in director Katie Mitchell’s farewell to opera

James Blades: Pandemonium of the One-Man Band - James Anthony-Rose on his new music theatre piece on the great percussionist

James Blades: Pandemonium of the One-Man Band – James Anthony-Rose on his new music theatre piece on the great percussionist

Exile: Koptachinskaja and Kaufmann

From bel canto to Harlem Renaissance: Lawrence Brownlee & Iain Burnside's recital at Wigmore Hall

From bel canto to Harlem Renaissance: Lawrence Brownlee & Iain Burnside’s recital at Wigmore Hall

A somewhat quirky mood: Stephen McNeff's new violin concerto for Fenella Humphreys & London Mozart Players mixes Baroque inspiration with something more contemporary

A somewhat quirky mood: Stephen McNeff’s new violin concerto for Fenella Humphreys & London Mozart Players mixes Baroque inspiration with something more contemporary

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