John Adams’ City Noir was inspired by the cultural and social history of Los Angeles, with the composer himself calling it ‘an imaginary film score’, while Fearful Symmetries exemplifies his steamroller motor rhythms. The album […]
Another day, another dose of media gush for Boston Symphony president Chad Smith, placed in the supine print media by his indefatigable publicist Amanda Ameer (pictured). Having groomed two hacks at the New York Times […]
This is another somewhat unusual (and likely hard-to-find) release, appearing on a label I’ve never heard of, la dolce volta. Similar to the Paris Polonais disc I recently reviewed, this one seems to be available […]