Aimez-vous Brahms?

A probing San Francisco Standard report by Adam Lashinsky, published today, into the turmoil at San Francisco Symphony raises many questions about the depth of its financial and managerial woes in the wake of Esa-Pekka […]

From Scottish Opera’s co-production with Holland Park Opera: ‘The Merry Widow is all about displaced people – originally, the fictitious Pontevedrians are displaced in France – so the world of Italian-American Mafia families finding their […]

From our roving critic Susan Hall: Chloé van Soeterstède, French-born founder of London’s Arch Symphonia and principal guest conductor of the Bournemouth Symphony Orchestra, made her New York debut at Lincoln Center. A mentee of […]