In a talk to a Prague audience in the land of his birth, the late pianist plucks a few snippets from an elusive autobiography. ‘Towards the end of the war,’ he relates without expression, ‘there was an xtended gap in my piano playing, because there was no piano.’
Brendel died today, aged 94.
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Aportia Chryptych opens tomorrow in Toronto. Might it have something to do with the COC general director’s abrupt departure? Here’s the blurb. Nova Scotian contralto Portia White was the first Black Canadian concert performer to […]
.png?w=670&resize=670,446&ssl=1 "Secret rendezvous and Queens in disguise: Pegasus Opera stage Ethel Smyth's Fête galante and Philip Hagemann's The Dark Lady of the Sonnets")
Ethel Smyth wrote six operas of which the best-known is The Wreckers though it is hardly common currency. But what about the others, after all she wrote three more after The Wreckers. The Boatswains Mate gets performed, […]
Francesco Scarlatti (ed. Webber)– Il Daniele nel lago de’ Leoni. Handel – Dicit Dominus, HWV 232. Armonico Consort;, Christopher Monks (conductor). Wigmore Hall, London, 10 January 2025 The rarest of the rare, perhaps, here: an oratorio […]
%20TallWall%20Media_Oxford%20Song.jpg?w=160&resize=160,160&ssl=1 "There was no closure here: four Irish women composers give voice to women of the Magdalene Laundries in remarkable performances from Lotte Betts-Dean & Deirdre Brenner in Oxford")
