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Continuing where Handel left off: Opera Settecento’s completion of Handel’s Titus L’Empereur at London Handel Festival was a terrific showcase for some of the composer’s lesser-known arias 1851: Schumann & Moscheles Sonatas from Steven Isserlis & Connie Shih The Britten/Piper outlier: Owen Wingrave at Guildhall School of Music & Drama Applications open for The Cumnock Tryst’s 2nd International Summer School for Composers with Sir James MacMillan & Brett Dean George Jeffreys & the Birth of the English Baroque
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Argentina’s Teatro Colon is now run from abroad

by tritonous
Argentina’s Teatro Colon is now run from abroad

The management of the most historic opera house in the southern hemisphere is now in the following hands:

Gerardo Grieco, General Manager (Uruguay)
Andrés Rodríguez, Opera Director (Chile)
Julio Bocca, Ballet Director (Argentinian living in Uruguay)
Zoe Zeniodi, Music Director of the Buenos Aires Philharmonic (Greece)
Beatrice Venezi, Music Director of the Resident Orchestra (Italy)
Of these five, only Grieco is taking up residence in Buenos Aires.

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Continuing where Handel left off: Opera Settecento's completion of Handel's Titus L'Empereur at London Handel Festival was a terrific showcase for some of the composer's lesser-known arias

Continuing where Handel left off: Opera Settecento’s completion of Handel’s Titus L’Empereur at London Handel Festival was a terrific showcase for some of the composer’s lesser-known arias

1851: Schumann & Moscheles Sonatas from Steven Isserlis & Connie Shih

1851: Schumann & Moscheles Sonatas from Steven Isserlis & Connie Shih

The Britten/Piper outlier: Owen Wingrave at Guildhall School of Music & Drama

The Britten/Piper outlier: Owen Wingrave at Guildhall School of Music & Drama

Applications open for The Cumnock Tryst’s 2nd International Summer School for Composers with Sir James MacMillan & Brett Dean

George Jeffreys & the Birth of the English Baroque

George Jeffreys & the Birth of the English Baroque

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