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Continuing where Handel left off: Opera Settecento’s completion of Handel’s Titus L’Empereur at London Handel Festival was a terrific showcase for some of the composer’s lesser-known arias 1851: Schumann & Moscheles Sonatas from Steven Isserlis & Connie Shih The Britten/Piper outlier: Owen Wingrave at Guildhall School of Music & Drama Applications open for The Cumnock Tryst’s 2nd International Summer School for Composers with Sir James MacMillan & Brett Dean George Jeffreys & the Birth of the English Baroque
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Did Bartók do klezmer?
Slipped Disc

Did Bartók do klezmer?

by tritonous

From the Lebrecht Album of the Week: Did Bartók play klezmer? The Hungarian composer enthused over many authentic forms of folk music and spent his summers tracking them down across the Balkans, the Iberian peninsula […]

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Continuing where Handel left off: Opera Settecento's completion of Handel's Titus L'Empereur at London Handel Festival was a terrific showcase for some of the composer's lesser-known arias

Continuing where Handel left off: Opera Settecento’s completion of Handel’s Titus L’Empereur at London Handel Festival was a terrific showcase for some of the composer’s lesser-known arias

1851: Schumann & Moscheles Sonatas from Steven Isserlis & Connie Shih

1851: Schumann & Moscheles Sonatas from Steven Isserlis & Connie Shih

The Britten/Piper outlier: Owen Wingrave at Guildhall School of Music & Drama

The Britten/Piper outlier: Owen Wingrave at Guildhall School of Music & Drama

Applications open for The Cumnock Tryst’s 2nd International Summer School for Composers with Sir James MacMillan & Brett Dean

George Jeffreys & the Birth of the English Baroque

George Jeffreys & the Birth of the English Baroque

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