There is a lot of wonderful music on this well-filled 2-CD set. (Each disc lasts more than 73 minutes.) It is all played with refinement and finesse by the Orchestre National de Lyon, led by […]
This, the second part of Simon Rattle’s traversal of Janacek’s operas, follows on from his highly successful The Cunning Little Vixen. Mackerras’ classic Decca account was used for comparison. In terms of the conducting, Rattle […]
A Room of Her Own is a new collection of music for Violin, Cello and Piano, played by Neave Trio, which continues their exploration of Trios by female composers. I greatly enjoyed their previous Chandos […]
This is Paavo Jarvi’s 4th album with the Estonian Festival Orchestra for Alpha Classics, and the highlight is certainly Tubin’s ballet suite, Kratt (Goblin) – which receives headliner status on the front cover. The ballet is based on […]
The title alone is a bit odd. Why this combination for a CD program? But never mind that, I gave it a spin anyway – mainly because I wanted to hear if this promising young […]
I wrote a post on this blog on February 22nd about the music of American composer Jeffrey Kaufman. Today I am writing more about his music. Why? Because since I wrote that last post, I […]
Roberto Neri has been confirmed as the next Chief Executive Officer of The Ivors Academy. He will start the role on 15th April, taking over from Interim CEO Charlie Phillips. Roberto has over 20 years’ […]
The Royal Philharmonic Society Awards – ‘the biggest night in UK classical music’ (The Sunday Times) – have been presented this evening at the Royal Northern College of Music. Staged in Manchester for the first […]
Following a competitive recruitment process, Matthew Swan has been appointed the new Director of the BBC Concert Orchestra, beginning 27 March. Matthew has over 20 years’ experience in leadership roles across orchestral music. He was […]
This Mahler 3 has always been highly thought of. Horenstein’s Mahler was unostentatious, so you don’t get heart-on-sleeve emotion. Nevertheless, he understood the composer’s fevered imagination, neurosis and quixotic nature. In the first movement at […]