Roberto Neri has been confirmed as the next Chief Executive Officer of The Ivors Academy. He will start the role on 15th April, taking over from Interim CEO Charlie Phillips. Roberto has over 20 years’ […]
The Royal Philharmonic Society Awards – ‘the biggest night in UK classical music’ (The Sunday Times) – have been presented this evening at the Royal Northern College of Music. Staged in Manchester for the first […]
Following a competitive recruitment process, Matthew Swan has been appointed the new Director of the BBC Concert Orchestra, beginning 27 March. Matthew has over 20 years’ experience in leadership roles across orchestral music. He was […]
This Mahler 3 has always been highly thought of. Horenstein’s Mahler was unostentatious, so you don’t get heart-on-sleeve emotion. Nevertheless, he understood the composer’s fevered imagination, neurosis and quixotic nature. In the first movement at […]
The tone and tuning of musical instruments has the power to manipulate our appreciation of harmony, new research shows. The findings challenge centuries of Western music theory and encourage greater experimentation with instruments from different […]
BBC Radio 3 unveils refreshed schedule, welcoming new talent to its presenting family alongside a raft of new commissions BBC TV announces major new series and performance highlights from across the UK Sam Jackson, Controller […]
Click on the album cover to listen now I had never heard music written by the American composer Jeffrey Kaufman until I listened to “Vocal Music of Jeffrey Kaufman,” a Pheonix CD that is available […]
Before I get to this wonderful new symphony, which is the reason for acquiring this disc, let’s dispense with the fillers posthaste. The Ravel is just fine – swift, efficient and pleasant, with some excellent woodwind […]
BBC statement on the future of the BBC Singers and its Orchestras We have now concluded a project looking at the future of the BBC’s performing groups. The BBC is pleased to announce it has […]
Anyone who has heard Bertrand Chamayou pounding his way through Saint-Saens might be somewhat alarmed at the thought of him essaying Satie, but within the confines of the modern, emotionally detached style of playing he […]
