Go for it, Philippe Jarousky.
The post Besame mucho – the historically informed performance appeared first on Slippedisc.
Besame mucho – the historically informed performance
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Héloïse Werner: close-ups
The programme here echoes that of Werner’s Wigmore Hall concert last April (review), and holds the Hidegard O vis as constant; sadly, I had to miss out on Werner and fiends at King’s Place last […]
Ruth Leon recommends… Sargent and Paris – Met & D’Orsay
Sargent and Paris explores the early career of American painter John Singer Sargent (1856–1925), from his arrival in Paris in 1874 as a precocious 18-year-old art student through the mid-1880s, when his infamous portrait Madame X was a […]
Billy Budd cut down to size
Next summer’s Aix-en-Provence festival presents a version of Britten’s opera redesigned for pinchpenny times: A mystery of origins and formal uncertainty shroud the story of Billy Budd, both in its operatic version, combining the libretto […]
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%20BPA-9.jpg?w=160&resize=160,160&ssl=1 "From Young Apollo to the Cello Symphony to the Poet's Echo to Phaedra: the range of Britten's composing career explored by Britten Sinfonia at Aldeburgh Festival alongside new works")
