Best known these days (if at all) for his operetta Merrie England, Edward German (1862-1936) was once highly respected. Sir Arthur Sullivan once famously said of German that he was “the one man to follow […]
Winner of the 2021 Deutscher Musikwettbewerb, Max Volber carries forward the Baroque tradition of insatiable transcribing in his new disc. He is heard as recorder player on this disc, but is also an active harpsichordist, […]
It must surely be the most daunting piano concerto in the repertoire. Ferruccio Busoni’s Piano Concerto in C-Major, BV 247 spreads over 72 minutes in this performance (there are longer: Postnikova takes an eternity); it […]
Vivaldi L’Olimpiade, RV 725, Soloists; Orchestra of Irish National Opera / Peter Whelan (director / harpsichord). Linbury Theatre, Royal Opera House, Covent Garden, 13.05.2024 Production: Director – Daisy EvansCostume & Set Designs – Molly O’Cathain Lighting Design – […]
R. Williams, Elgar Daniel Norman (tenor, Gerontius); Jennifer Johnston (soprano, Angel); Roderick Williams (baritone, Angel of the Agony); The Bach Choir; Philharmonia Orchestra / David Hill (conductor). Royal Festival Hall, London, 16.05.2024 Roderick Williams Cusp […]
Although we perviously carried a release announcement of this release, it is perhaps good to have a more in-depth look (and listen!). The performance of the Lalo Cello Concerto in D-Minor celebrated his 200th birth […]
Until now, if one comes across Bruckner’s Second Symphony – a less likely scenario than encountering No. 3 – it would be in the 1877 version. Here is the 1872 score, almost unperformed but heard […]
Bruckner Royal Concertgebouw Orchestra / Klaus Mäkelä. Kulturpalast, Dresden, 10.05.2024 Symphony No 5 (1875/76; 1878 version, ed. Leopold Nowak, Third Revised Edition of 2005) Klaus Mäkelä’s career is in stratospheric mode. He takes over the […]
Beethoven, Debussy Francesco Piemotesi (piano). Palais im Grossen Garten, Dresden, 11.05.2024 Beethoven Piano Sonatas: No. 21 in C, Op. 54, ‘Waldstein’; No. 30 in E, Op. 109 Debussy Préludes, Book II, L 131 The title […]
This is, in many ways, a fascinating disc. The interest here lies in the couplings: a carefully-judged mix of the super-familiar with the rare. The Concerto, No. 1, has been covered here on Classical Explorer […]
