Chopin, Schumann Lucas Debargue (piano); Insula Orchestra / Laurence Equilbey (conductor). Auditorium Patrick Devedjian, La Seine Musicale, Paris, 24.09.2024 Chopin Piano Concerto No. 1 in E minor, Op. 11 (1830) Schumann Symphony No. 4 in […]
Catalan composer Roberto Gerhard (1896-1970) famously studied with Schoenberg (the only Spanish composer to do so). He also made his base in England for a while, so his neglect in this country seems incomprehensibe. The […]
This is Jakub Jósef Orliński’s sixth album for Erato, and his post follows on from Classical Explorer‘s recent musings on Orliński’s Gluck Orfeo, The group is once more Il Pomo d’Oro. So, why “Beyond”? Orliński […]
Jommelli – a celebration. Fflur Wyn (soprano); Ambroisine Bré (mezzo); Hugo Brady (tenor); The Mozartists / Ian Page (conductor). Wigmore Hall, 18.09.2024 Ricimero, re de’ Gato: Vidi il mar tutto in procella Ezio: Se il […]
After yesterday’s post (Klassik unterim Hakenkreutz), this classic performance of Korngold seems relevant. Erich Wolfgang Korngold (1897-1957) left Europe in the volatile mid-1930s and found fame in the US, specifically Hollywood (a fascinating upcoming disc […]
Music? You can’t destroy that … (Anita Lasker-Wallfisch) Christian Berger’s film, Musik unterm Hakenkreutz, a fascinating and disturbing documentary in equal parts, is dominated by the figure of Anita Lasker-Wallfisch (born 1923), who endured imprisonment […]
Contents: The Chosen: For What? by Hana Gubenko Foreign Masters: Max Volbers and Alexander von Heissen play music by foreign composers in Baroque England, by Colin Clarke The Chosen – for what? Who wouldn’t want […]
Il Pomo d’Oro and counter-tenor Jakub Jozef Orliński form a Theseus thread though a trio of discs we will examine in turn: Gluck’s opera Orfeo & Euridice with Orlinski (and Elsa Dreisig and Fatima Said) […]
Garsington’s Midsummer Magic at the Proms For its first outing to the Henry Wood Proms, Garsington Opera brought with it not only the luxury vehicle of the Phlharmonia Orchestra, but a crack team of soloists – […]
In response to Patricia Kopatchinskaja stunning Schonberg Concerto earlier this week at the Proms, we republish a report on a concert at London’s Queen Elizabeth Hall: Patricia Kopatchinskaja’s programming is always stimulating, but as she […]
