Ludovico Ariosto’s long narrative poem Orlando furioso, from the early 16th century, proved to be highly influential not only as a masterpiece within the domain of literature, but also as a regular source for countless […]
Opera Holland Park’s new production of Pagliacci this season is paired, not with its usual partner Cavalleria rusticana, but with a contrastingly comic take on the theme of suspicion and jealousy, Wolf-Ferrari’s Susanna’s Secret (a revival of John Wilkie’s production from 2019). Her […]
Yuja Wang began with eight selections from Shostakovich’s cycles Opuses 34 & 87 blended into a continuous whole, creating dreamy auras, sweet melodies, dance-like passages, and a march, all decorated with shimmering figures, trills and […]
Andris Nelsons and the Boston Symphony Orchestra launched their 2024 Tanglewood Season with two works from a crucial period that not only marked a transition in Beethoven’s development but a watershed moment for music. Gil […]
Edgar, the second of Puccini’s operas, is probably the least encountered of the thirteen that he wrote, though New Sussex Opera brought it to the Cadogan Hall in its earlier four-Act version in 2012. Since […]
Augustin Hadelich joined the Orchestra of St. Luke’s and Bernard Labadie for this OSL Bach Festival 2024 program showcasing 18th-century concertos in alternate versions. The evening began with an elegant reading of Charles Avison’s D-minor […]
For its final concert of the season, the Met Orchestra arrived at Carnegie Hall in full force for music from three masterpieces of the mid-19th and early-20th-centuries operatic repertoire opening with an exhilarating account of […]
For his final concert program as New York Philharmonic Music Director, Jaap van Zweden led a sturdy, accurate and well-balanced reading of Mahler’s Symphony No.2, customarily referred to (though not by the composer) as the […]
Focused and confident from the start, Evgeny Kissin took a quick, perfunctory bow, and launched into an intriguing interpretation of Beethoven’s E-minor Sonata. After sounding the opening chords of the capricious and elusive first movement […]
For her new production of Carmen for Glyndebourne, Diane Paulus indicates that she aims to concentrate on Don José’s psychology and backstory. But as is increasingly the case with productions of the opera, it does so by […]
