After a rather ho-hum start to the year, there ended up being many, many wonderful new releases – many fully deserving a “Best of the Year” accolade. And even though there were lots of fair-to-middlin’ […]
Mahler: Symphony No. 4 – Manfred Honeck, New World Symphony – New World Center, Miami Johann Strauss: Overture to Die Fledermaus, Haydn: Symphony No. 93 in D major; Mahler: Symphony No. 4; Lauren Snouffer, New World […]
Preston-born Arthur Catterall was leader of the Hallé Orchestra (under Hamilton Hate) and later the BBC Symphony Orchesra (user Boult). He is of the same generation as Marie Hall (who also appears in this series); […]
Only his week, we had the World premiere recording of Humpedinck’s Das Mirakel; today, it is Raff’s late opera, Die Eifersüchigen (The Jealous Ones, WoO 54, 1881/2) that receives its premiere incarnation on disc. In […]
The Philharmonic marked this Yuletide season with a screening of Chris Columbus’s 1990 comedy, Home Alone, accompanied by John Williams’s Oscar-nominated score telling the story of eight-year-old Kevin McCallister, who defends himself and his home […]
This thoughtfully planned, totally captivating recital opened with a dreamy rendition of the melancholic Taneyev Prelude, Daniil Trifonov then tearing headlong into the fiendish, frenetic Fugue. As he leaned low over the keyboard, his dramatic […]
Glyndebourne is no stranger to Handel, nor to the Royal Albert Hall, with the company’s annual visit to the Proms. But this is the first time, I think, that its autumn season has seen an […]
What was Onyx thinking, releasing this right on the heels of JoAnn Falletta’s electrifying Naxos recording of this same theme and repertoire? It would be difficult for any recording to measure up with that still […]
Although nominally an opera seria like most of Handel’s other London operas of the 1720s and ’30s, English National Opera’s description of Partenope (1730) as a ‘rom com’ is closer to the mark. It has a levity and comedy that Handel […]
This is a fascinating idea: the same piece, twice, once with piano and once with orchestra. Surely Richard Strauss’ famous orchestrational ability is what makes this piece so special? Those autumn hues as he prepares […]