ΚΡΙΤΙΚΕΣ

George, the title character of Zemlinsky’s third opera (composed between 1903 and 1907, but not premiered until long after his death in 1980) is usually taken, in his eponymous dreaming and obsession with fairy tales, […]

The Italian Girl in London (1778) is one of the earlier operas by the prolific older contemporary of Mozart, Cimarosa. Although termed an intermezzo, as a comedy essentially it follows the same conventions of an opera buffa, and […]

Many remember the name, in English, of Mozart and Da Ponte’s third operatic collaboration as ‘Women are like that’, with more than a whiff of apparent misogyny in it (the ending of the Italian tutte definitely denotes […]

This, the second part of Simon Rattle’s traversal of Janacek’s operas, follows on from his highly successful The Cunning Little Vixen. Mackerras’ classic Decca account was used for comparison.  In terms of the conducting, Rattle […]

This Mahler 3 has always been highly thought of. Horenstein’s Mahler was unostentatious, so you don’t get heart-on-sleeve emotion. Nevertheless, he understood the composer’s fevered imagination, neurosis and quixotic nature.   In the first movement at […]