From the Lebrecht Album of the Week:
Four months ago, I wrote about one of the least satisfying Shostakovich records I have ever heard, a performance where the conductor, a hyped young Finn, skied across the musical surface without penetration or strategic concept. The gloom that overwhelmed me at the onset of a full cycle of symphonies from this unprepared interpreter has since been mitigated slightly by the emergence of a parallel cycle from a Finnish compatriot…
Read on here.
And here.
En francais ici.
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.jpg?w=160&resize=160,160&ssl=1 "Catch Odaline de la Martinez in London next month with scenes from Imoinda and Canciones")
