The inimitable Quincy Jones died yesterday, aged 91.
A kid off Chicago’s rough South Side, sharing drug fixes with Ray Charles, he won a scholarship to Berklee and wound up studying in Paris with Nadia Boulanger (pictured) and seducing Juliette Greco. Quincy soon revealed a gift for original orchestration and career mobility. He worked with Frank Sinatra and Duke Ellington before being made VP of the Mercury label and a fame-maker to a new generation. In 1964 he broke into Hollywood with a score for The Pawnbroker, followed by the haunting theme song for In the Heat of the Night.
He revived the dying embers of Miles Davis’s career, produced the Thriller mega-album for Michael Jackson, created Roberta Flack’s greatest hit and for half a century held more influence in the music-movie nexus than any other artist. Wielding considerable power and never moderating his opinions, Quincy made few enemies and never forgot an old friend. His philanthropy was world-embracing.
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.jpg?w=160&resize=160,160&ssl=1 "Vivid engagement, vigorous articulation & imaginative programming: The English Concert at Wigmore Hall")
