From the Lebrecht Album of the Week:
What small labels do best is backing the owner’s hunches. BIS in Stockholm produced symphonies by Alfred Schnittke when he was unheard outside Russia. Hyperion in south London resurrected 19th century piano concertos. Cedille in Chicago backs off-beat US composers. Manfred Eicher’s ECM in Munich is the engine behind Arvo Pärt, Giya Kancheli and Chick Correa. These labels are often thelion kings of classical recording.
We owe the rediscovery of Mieczyslaw Weinberg, a Polish refugee in Soviet Russia, to a father-son team in Colchester, England, operating from a mobile recording unit….
More here.
And here.
The post How little labels changed our world appeared first on Slippedisc.
.jpg?w=160&resize=160,160&ssl=1 "The Song Within: Leeds Song Festival returns in April 2027 with a programme expanding the boundaries of the song recital")
%20Evan%20Dawson(4).jpg?w=160&resize=160,160&ssl=1 "To capture the fullness of what choral singing is: composer Nathan James Dearden on his debut album, i breathe")
