From the Lebrecht Album of the Week:
What small labels do best is backing the owner’s hunches. BIS in Stockholm produced symphonies by Alfred Schnittke when he was unheard outside Russia. Hyperion in south London resurrected 19th century piano concertos. Cedille in Chicago backs off-beat US composers. Manfred Eicher’s ECM in Munich is the engine behind Arvo Pärt, Giya Kancheli and Chick Correa. These labels are often thelion kings of classical recording.
We owe the rediscovery of Mieczyslaw Weinberg, a Polish refugee in Soviet Russia, to a father-son team in Colchester, England, operating from a mobile recording unit….
More here.
And here.
The post How little labels changed our world appeared first on Slippedisc.
.jpg?w=160&resize=160,160&ssl=1 "Britten's War Requiem: Edward Gardner takes an uncompromising & severe view softened by the poetic attention to the words from soloists in London Philharmonic Orchestra's season opener")
