This is the official blessing for the reopening of the great organ of Notre-Dame cathedral in Paris.
Not everyone was impressed by the esoteric repertoire, least of all some world leaders. Here’s a reasoned critique.
Personally, I quite liked the Erik Satie playout riff:
And this was the best: Dudamel conducting the Saint-Saens 3rd symphony finale, with organ obbligato.
The post How Notre-Dame’s organ got the kiss of life appeared first on Slippedisc.
Chicago readers report that George Freeman has left us. He may have been the last surviving person to have performed and recorded with Charlie Parker. George played with most other greats and recorded many albums, […]
ETERNITY IN AN HOUR – Jess Dandy and Keval Shah by Clare Park On Tuesday 15 October at Oxford International Song Festival, contralto Jess Dandy and pianist Keval Shah will give the world premiere of […]
%20Andrej%20Grilc-.jpg?w=670&resize=670,446&ssl=1 "Everything is connected: Barbican Quartet on their debut album, Manifesto on Love, on Genuin label")
Barbican Quartet (Photo: Andrej Grilc) The Barbican Quartet (Amarins Wierdsma, violin, Kate Maloney, violin, Christoph Slenczka, viola, Yoanna Prodanova, cello) is so-named partly because the founding members, Amarins, Christoph and Yoanna met at the Guildhall […]
