February 24, 2026
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One of the few operas by a woman produced at the Paris Opera in the 19th century. Augusta Holmès’ La Montagne noire finally gets its UK premiere Keeping it local: David Butt Philip & Friends Gala at St Paul’s Opera, Clapham A busy summer: from touring The Marriage of Figaro directed by Danielle de Niese to recording Iain Farrington’s version of Mahler’s Das Lied von der Erde, Wild Arts goes from strength to strength Leonardo Vinci’s Artaserse in Chicago: Haymarket Opera Company’s Craig Trompeter on countering the tendency for audiences to only listen to music that they know. Mozart Symphonies 34-36
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Huge break up at Opera Australia

by tritonous
Huge break up at Opera Australia

Jo Davies has departed as artistic director after 18 months in the job, and a few days before she was to announce the next season. Insiders say she had a fractious meeting with OA chief executive Fiona Allan.

OA said Davies’ departure followed ‘differences of opinion about how Opera Australia should successfully balance artistic innovation, audience development and commercial imperatives.’

The company has been a hive of bad working relationships and harrassment allegations going back a decade and more.

The post Huge break up at Opera Australia appeared first on Slippedisc.

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Latest Posts

One of the few operas by a woman produced at the Paris Opera in the 19th century. Augusta Holmès' La Montagne noire finally gets its UK premiere

One of the few operas by a woman produced at the Paris Opera in the 19th century. Augusta Holmès’ La Montagne noire finally gets its UK premiere

Keeping it local: David Butt Philip & Friends Gala at St Paul's Opera, Clapham

Keeping it local: David Butt Philip & Friends Gala at St Paul’s Opera, Clapham

A busy summer: from touring The Marriage of Figaro directed by Danielle de Niese to recording Iain Farrington's version of Mahler's Das Lied von der Erde, Wild Arts goes from strength to strength

A busy summer: from touring The Marriage of Figaro directed by Danielle de Niese to recording Iain Farrington’s version of Mahler’s Das Lied von der Erde, Wild Arts goes from strength to strength

Leonardo Vinci's Artaserse in Chicago: Haymarket Opera Company's Craig Trompeter on countering the tendency for audiences to only listen to music that they know.

Leonardo Vinci’s Artaserse in Chicago: Haymarket Opera Company’s Craig Trompeter on countering the tendency for audiences to only listen to music that they know.

Mozart Symphonies 34-36

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