Hans von Bronsart’s Concerto in F sharp minor did not enjoy the same public acclaim, although it is rousing, intimate and electrifying in turns. The richness of its orchestration is matched by an uncommonly brilliant […]
After five years with the biggest vacancy in the orchestral world, the Boston Symphony today presented Nathan Cole as its new concertmaster. He is presently first associate concertmaster with the Los Angeles Philharmonic. More follows. […]
This week’s Alastair Macaulay Review is a triple-header of current operas. Two should have been bigger and better. The third was embarrasingly ludicrous. Read on: 1: Mary Queen of Scots – English National Opera, February […]