A reader points out:
The quiet resignation of Kennedy Center Artistic Director for Jazz, Jason Moran, leaves only classical artists on the Center’s artistic payroll: Gianandrea Noseda, Steven Reineke, Carlos Simon, Jennifer Koh, Francesca Zambello (pic) and Robert Spano.
What does it say that the classical season remains fully intact, while artists with public stature, integrity, and independent drawing power have stepped away—or been pushed out? The implication is damning: that classical musicians appear willing to remain complicit in a system increasingly shaped by propaganda, while those with reputations beyond the institution have refused to play along.
It evokes uncomfortable parallels—such as high profile conductors who stayed in Germany during WW2. The regime changes, and some adapt. But history remembers who stayed silent—and who walked away.
So – why not?
The post No classical resignations at Kennedy Center. Why? appeared first on Slippedisc.
.jpg?w=160&resize=160,160&ssl=1 "The Song Within: Leeds Song Festival returns in April 2027 with a programme expanding the boundaries of the song recital")
%20Evan%20Dawson(4).jpg?w=160&resize=160,160&ssl=1 "To capture the fullness of what choral singing is: composer Nathan James Dearden on his debut album, i breathe")
