Last night, Birmingham Opera Company gave Michael Tippett’s last opera, New Year, its first fresh airing since 1990 in the Dream Tent at Smithfield. First responses are enthusiastic. Reviews to follow. The post Tippett in […]
Early and late feature heavily in this year’s selection, but in the middle a pair of individual performances stand out. The white-hot dramatic impetus of John Osborn’s account of the title role in Meyerbeer’s Le prophète […]
During a Handel & Haydn Society concert at Boston’s Symphony Hall in May 2019, a 9-year-old boy shouted ‘wow!’ at the end of Mozart’s Masonic Funeral Music. H&H president David Snead, moved by the response, […]