March 2, 2026
Athens, GR 14 C
Expand search form
Blog

Royal Opera chief takes the knee for Palestine intervention

Royal Opera chief takes the knee for Palestine intervention

Oliver Mears, director of the Royal Opera at Covent Garden, has emailed an explanation to staff as to why he attemped to remove a Palestine flag from one of the extras during curtain-calls for Il trovatore

Among other things, he says: ‘I could not allow the precedent of a public and individual protest during a show, which is why I acted as I did. Bringing the curtain in, with an unrehearsed through-tabs curtain call, would likely not have ended well either. Unfortunately, in the end I think there were simply no ‘good’ options: this was a messy and unhappy situation and not least because of that, I hope that I can have your understanding.’

He went on to say: ‘A curtain call is not a window for individual artist either to act as if on behalf of the whole company, or to alert an audience to their outrage at the actions of foreign governments. In a democratic country such as ours – one which affords us multiple routes for protest – any other approach will breed chaos.’

He follows his chief executive Alex Beard in making himself accountable to an internal bunch of agitators. Covent Garden is now in the hands of the mob.

Read more here.

The post Royal Opera chief takes the knee for Palestine intervention appeared first on Slippedisc.

Previous Article

Try a Resurrection the Handel way

Next Article

Trump offers $50m reward for head of El Sistema

You might be interested in …

When an orchestra beheads its founder

When an orchestra beheads its founder

Two British orchestras are following an identical method of crisis resolution. The Monteverdi orchestras and chorus got rid of their founder, Sir John Eliot Gardiner, after failing to reach agreement on issues of anger management. […]

A vivid theatricality that a more conventional treatment might have missed: Bintou Dembélé & Leonardo García-Alarcón collaborate on a remarkable reinvention of Rameau's Les Indes Galantes

A vivid theatricality that a more conventional treatment might have missed: Bintou Dembélé & Leonardo García-Alarcón collaborate on a remarkable reinvention of Rameau’s Les Indes Galantes

Rameau: Les Indes Galantes – Andreas Wolf, Cappella Mediterranea, Chœur de chambre de Namur, Structure Rualité, Leonardo García-Alarcón – The Grange Festival (Photo: Richard Hubert Smith) Rameau: Les Indes Galantes; Laurène Paternò, Ana Quintans, Alasdair […]

Héloïse Werner and friends at Wigmore Hall

Héloïse Werner and friends at Wigmore Hall

Héloíse Werner and friends. Héloïse Werner (soprano); Max Baillie (violin/viola); Colin Alexander (cello); Misha Mulov-Abbado (double-bass); Buno Heinen (piano); Angela Wai Nok Hui (percussion). Wigmore Hall, 09.04.2025   Colin Alexander moonrise / Alva’s Riff (2025, […]