The Russian-born conductor of the Czech Philharmonic tells David Krauss in Speaking Soundly that he learned to manage pre-concert tension by playing volleyball from age 10 to 18 with Dynamo Leningrad.
‘My piano teacher was furious,’ he says. ‘Somehow I never injured my fingers.’
On his very first day in New York, he met two nieces of Rachmaninov, one of them Tchaikovsky’s god-daughter….
Listen here.
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Messiaen Vingt régards de l’enfant Jésus (1944) Nicolas Hodges (piano). Wigmore Hall, 31.05.2024 The last time I heard Messiaen’s vast Jesus-oriented canvas was at Milton Court in 2016 (review), Pierre-Laurent Aimard was the pianist, a […]
Prokofiev: Piano Concerto No. 2 – Anna Tsybuleva with hr-Sinfonieorchester, Alain Altinoglu I first chatted to pianist Anna Tsybuleva back in 2021 (by Zoom from her house in the Caucasus) when having won the Leeds […]
Hungarian conductor Ádám Fischer returns to Haydn: his complete recording of all of the symphonies with the Austro-Hungarian Haydn Orchestra. Here he is again, in a less remnant acoustic this time (the concert hall of […]
