March 8, 2026
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Not only has German-born singer, Ute Lemper, found affection on the world’s stage as a cabaret-style performer, she’s also taken on starring roles in West End and Broadway musicals. Primose Quartet in Beethoven & Mozart Fun & fresh: flute/voice & guitar duo, Emily Andrews & Francisco Correa talk improvisation & collaboration on their new disc of Stephen Goss’s music When hyperbole meets reality: the incomparable Lise Davidsen at the Met Continuing where Handel left off: Opera Settecento’s completion of Handel’s Titus L’Empereur at London Handel Festival was a terrific showcase for some of the composer’s lesser-known arias
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Composer Profile: Benjamin Britten
Classical Archives

Composer Profile: Benjamin Britten

by tritonous

Benjamin Britten (1913-1976): A Musical Biography By Barry Lenson The British composer Benjamin Britten wrote a remarkably large and varied body of music. His compositions range from the simply delightful Young Person’s Guide to the […]

An English pianist plays on at 90
Slipped Disc

An English pianist plays on at 90

by tritonous

The much-recorded Valerie Tryon passed 90 last month without fuss. She has lived in Canada since 1976 and is being celebrated this week at a concert at McMaster University. Details here. The post An English […]

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Not only has German-born singer, Ute Lemper, found affection on the world’s stage as a cabaret-style performer, she’s also taken on starring roles in West End and Broadway musicals.

Primose Quartet in Beethoven & Mozart

Primose Quartet in Beethoven & Mozart

Fun & fresh: flute/voice & guitar duo, Emily Andrews & Francisco Correa talk improvisation & collaboration on their new disc of Stephen Goss's music

Fun & fresh: flute/voice & guitar duo, Emily Andrews & Francisco Correa talk improvisation & collaboration on their new disc of Stephen Goss’s music

When hyperbole meets reality: the incomparable Lise Davidsen at the Met

Continuing where Handel left off: Opera Settecento's completion of Handel's Titus L'Empereur at London Handel Festival was a terrific showcase for some of the composer's lesser-known arias

Continuing where Handel left off: Opera Settecento’s completion of Handel’s Titus L’Empereur at London Handel Festival was a terrific showcase for some of the composer’s lesser-known arias

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