January 13, 2026
Athens, GR 14 C
Expand search form
Blog

Substantial and satisfying listening: Stuart Hancock’s score for the new film, Kensuke’s Kingdom

Substantial and satisfying listening: Stuart Hancock’s score for the new film, Kensuke’s Kingdom

Michael Morpurgo’s 1999 book Kensuke’s Kingdom might have very modern concerns with its bringing issues about care for the environment and the natural world into what is a traditional adventure story, but the new animated film based on the book which was released last month has a refreshingly traditional approach to the genre. The film, directed by Neil Boyle and Kirk Hendry with Peter Dodd as animation director and Michael Shorten as art director, features traditional hand drawn animation along with a fine symphonic score by British composer Stuart Hancock.

Hancock’s score has a strong dramatic sweep to it and the original motion picture soundtrack, on MovieScoreMedia, makes for substantial and satisfying listening. The film was produced by Lupus Films, and the soundtrack was recorded by the Bratislava Symphony Orchestra, conductor David Hernando Rico, and the Holst Singers, conductor Michael Waldron, and the score even has a solo for actor Ken Watanabe who plays Kensuke.

I enjoyed listening to the soundtrack immensely, the album has 31 tracks lasting 73 minutes, which is a lot of music for a film, from short cues to longer sequences. Hancock’s music has a depth and complexity to it, which is reflected in the fact that the performers include the full Bratislava Symphony Orchestra and the Holst Singers. Even from just listening, there is a strong emotional range, and I can’t help but hope Hancock has time, energy and impetus to create a concert suite from the music. 

Hancock says of the writing process, “Kensuke’s Kingdom has very little dialogue – a gift for a composer! The two lead characters cannot speak each other’s language, so the music has space to flourish and help tell their story. I composed initial character themes and sketches, working closely with the directors from the storyboard/animatic stage onwards. I honed the music as the animation gradually fell into place, culminating in fantastic recording sessions with full symphony orchestra, choir and solo musicians in late 2022. Personal highlights included recording Ken Watanabe’s singing (remotely from Tokyo) and having author Michael Morpurgo’s glowing seal of approval at regular intervals!”

Stuart Hancock’s score for Kensuke’s Kingdom is available via MovieScoreMedia and can be streamed on Spotify or YouTube. Full details of the film from the Kensuke’s Kingdom website.


Go to Source article

Previous Article

Music professor is found murdered in her apartment

Next Article

Ton Koopman’s extraordinary Bach Johannes-Passion

You might be interested in …

Mäkelä does the double

Mäkelä does the double

yesterday in Oslo, the music director played cello in the Brahms double concerto, opposite the Swedish violinist Daniel Lozakovoich. They are about to tour together to Amsterdam, Paris, Vienna and Luwigsburg. photo: John-Halvdan Olsen-Halvorsen / […]

Swiss orchestra drops baton

Swiss orchestra drops baton

The Freiburg Chamber Orchestra has replaced its founding conductor Laurent Gendre with Philipp Bach. Gendre has led the orchestra since its inception in 2009. The post Swiss orchestra drops baton appeared first on Slippedisc.

Early Music Day in Oxford

Early Music Day in Oxford

The Continuo Foundation is joining forces with Oxford Festival of the Arts to present an Early Music Day on Saturday 12 July 2025 at Magdalen College. The day will consist of two afternoon concerts by Continuo […]