The Hiong Kong Philharmonic has named the Finnish conductor Tarmo Peltokowski as its music director from next year. He succeeds Jaap Van Zweden, who held the job for a dozen years whil juggling other appointments […]
From our agony aunt’s mailbag: Dear Alma, There’s a new player in our viola section and she wears a kind of hijab – a black headscarf that also covers her shoulders. For what I can […]
Wild Arts does it again … Mozart Die Zauberflöte (sung in English, translated by Jeremy Sams, abridged). Cast; Orchestra / Orlando Jopling (conductor). Thaxted Parish Church, 30.06.2024 Production: Director – James Hurley Designer – Sophie […]
The exceptional soprano Louise Alder has given up on big management at AskonasHolt. She signed this morning with Maria Mot’s boutique (est. 2020), where she joins Gerald Finley, Lise Davidsen, Freddie De Tommaso, Huw Montague […]
ENO, which is shedding its orchestra in the move away from London, is advertising for an oerchestra manager. Should be an interesting job. The English National Opera (ENO) is inviting applications for the role of […]
The Council and Senate of the Weimar University of Music decided last night to close the Institute for Early Music. It’s not just Oxford and Cambridge that have devalued music studies. Weimar is reallocating its […]
Delighted to see a piece of original research by conductor-scholar (and exNYT critic) Will Crutchfield published in this weekend’s NY Times. Historians try to be precise, so it is awkward to admit that I can’t […]
The emissaries named on Monday by the State Department are Herbie Hancock, Denyce Graves, Chuck D, Lainey Wilson, Justin Tranter, Teddy Swims, Armani White, Jellyroll, Breland, Kane Brown and Grace Bowers. Apparently, ‘In their work, […]
The Munich Philharmonic, which recently installed Lahav Shani as chief conductor, also has a new CEO. Paul Müller is departing after 16 years. His successor next year will be Florian Wiegand, presently director of concerts […]
John Adams’ City Noir was inspired by the cultural and social history of Los Angeles, with the composer himself calling it ‘an imaginary film score’, while Fearful Symmetries exemplifies his steamroller motor rhythms. The album […]
