There is a catch, however. Culture Senator Carsten Brosda tells Backstage Classical that some of the new money mwill go on a hip-hop academy and on supporting music clubs down the Reeperbahn, where the brothels […]
Its director, Maria Rosario Jackson, resigned this morning after three years at the helm. Donald Trump promised to abolish the arts-giving agency last time. Ms Jackson just made it a whole lot easier. On leave […]
The conductor Susanna Mälkki, left high and dry when Mark Newbanks closed his agency has week, has landed at Intermusica. Her admirer Deborah Borda is one of its directors. She will be represented by Dennis […]
Message received: The Deutsche Grammophon newsletter is now available in German! We are kicking off the new year with the launch of a German version of the Deutsche Grammophon newsletter. Please let us know which […]
The iconic opera publisher lacks the cachet it acquired in the Verdi-Puccini era, but it’s a still a force to be reckoned with. For the past 18 years it has been part of the Universal […]
There’s a famous 1947 Cartier-Bresson photograph of Igor plus Puss which we can’t reproduce. The composer was feline in so many ways. And he composed The Owl and the Pussycat, a forerunner to theLloyd Webber […]
With the theme of Song, the Secret of Eternity, Leeds Lieder Festival returns from 5 to 12 April 2025 with a celebration of its 20th anniversary. Festival director Joseph Middleton describes it as “Our boldest […]
Fidelio Orchestra Founded in 2019 with the aim of creating opportunities for young musicians to get high standard orchestral experience and to collaborate with outstanding soloists, the the Fidelio Orchestra aims to bring together people […]
Friends have been sharing news of the death today of Mary O’Reilly, a retired member of the violin and viola sections of the Rotterdam Philharmonic Orchestra. Before Rotterdam, Mary was 2nd concertmaster and principal 2nd […]
First reviews of Adams’ third concerto for piano and orchestra are warmly receptive. Gabe Meline on KQED: … After opening with cascading notes on harp and celeste reminiscent of Bernard Herrmann’s Vertigo score, Thursday’s world premiere at […]
