National Gallery Anniversary, Part Three Click here to subscribe Many of you enjoyed the first part of the documentary about the National Gallery celebration of its 200th anniversary. For you, here is Part Three […]
The Teatro Colón in Buenos Aires has appointed Beatrice Venezi as Principal Guest Conductor of Colón’s resident orchestra and of its opera season. She is presently rehearsing Verdi’s Un ballo in maschera. Venezi, 34, is […]
The death has been communicated of Barry Jordan, organist and music director of Magdeburg Cathedral in Germany. The cause of death was cancer. A graduate of the university of Cape Town, he studied in Vienna […]
The indefatigable musician is resting at home in Berlin after an exhausting West-East Diwan tour. He cannot live without making music. Here, he discusses music as stimulus, or oblivion. We wish Daniel many happy returns. […]
Our renowned ballet reviewer had an unusually bad night: MaddAddam, Wayne McGregor’s Timidly Clichéd Dystopia by Alastair Macaulay In Wayne McGregor’s new three-act “MaddAddam”, the Royal Ballet has chosen to present us with […]
Released on September 6, NMC Recordings album of music by Imogen Holst also celebrates 35 years of this wonderful label, The BBC Concert Orchestra and BBC Singers excel throughout under Alice Farnham. Dating from 1929, […]
Bach: Brandenburg Concertos; Orchestra of the Age of Enlightenment; Queen Elizbeth HallReviewed 13 November 2024 The Brandenburg Concertos complete, vivid, vibrant and sometimes a little raw, the sheer energy, enthusiasm and technical nous really carrying […]
Comedy had traditionally played little part in French opera. Lully soon eliminated comic episodes from his tragedies; from then until the appearance of this work, only a handful of operas had comic themes. The theme […]
Conserving a delicate Renaissance drawing – Royal Collection Kate Stone, Paper Conservator for the Royal Collection, demonstrates the extraordinary skill and fine workmanship required to repair an ancient document. This is another of those ‘how […]
The Atlanta gadfly music critic Mark Gresham reviewed the Mozart C minor Mass: … Stutzmann’s conducting visibly lacked precision, which was evident right from the opening bars, where the violas were not quite in sync. […]
