Fromental Halévy (1799-1862) was one of the mainstays of French opera in the 19th century. A pupil of Cherubini, his opera La Juive (1835) would inaugurate the new Paris Opera at the Palais Garnier in […]
Concerto Copenhagen (Photo: Mathias loevgreen) One of the pleasures of programming the Lammermuir Festival is the opportunity to place different musical personalities alongside one another and invite audiences to listen for both connections and contrasts. […]
The Tempest (the masque in Part Two) – Vache Baroque (Photo: The Photography Shed) The Tempest – Shakespeare, Matthew Locke, Henry Purcell & others; Tim Delap, Leah Haile, Hannah Barrie, Tré Medley, Stephanie Hershaw, Isabelle Peters, […]
A drawing of Joyce (with eyepatch) by Djuna Barnes from 1922, the year in which Joyce began the 17-year task of writing Finnegans Wake Alastair White:Here Comes Everybody: an overture to Finnegans Wake; Ensemble Exposé, […]
We need to hear more music by Amglo-Irish composer Ernest John (Smeed) Moeran (1894-1950). Arnold Bax referred to Moeran as “the last true Romantic”. His life was a toubled one: he was wounded in the […]
.jpg?w=510&resize=510,510&ssl=1 "By turns illuminating & compelling: the Royal Liverpool Philharmonic Orchestra on terrific form in Britten & Vaughan Williams at the BBC Proms")
Britten: Violin Concerto – Simone Lamsma, Andrew Manze, Royal Liverpool Philharmonic – BBC Proms (Photo: BBC/ Chris Christodoulou) Vaughan Williams: Fantasia on a theme of Thomas Tallis, Britten: Violin Concerto, Carmel Smickersgill: A Brick Thrown […]
Elgar Variations on an Original Theme. Op. 36, ‘Enigma‘ (1888/9) Tchaikovsky Symphony No. 4 in F minor, Op. 36 (1877/8) Elgar and the Berliner Philarmoniker? Well, there is precedent of the orchestra in English music […]
With Meditations for Harpsichord, British-Polish harpsichordist Katarzyna Kowalik will gather together nine newly commissioned works by five British and four Polish composers. The project will receive its world premiere at Colet House in London on […]
As his Grande Messe des Morts (Requiem) in Pappano’s LSO performance proved conclusively (August 15), there are fewer if any better spaces to hold Berlioz’ monumental imagination. From the religious to Goethe’s great work of […]
ORA Singers’ Graduate Composers‘ scheme forms a core part of their Composers’ Pathway – their work to support composers at any stage in their careers. The Graduate scheme champions early-career composers by offering them a […]
.jpg?w=160&resize=160,160&ssl=1 "Only love can bear the burden of truth: Ben Parry & Garth Bardsley on their new opera that premieres at Snape this Saturday")
