March 22, 2026
Athens, GR 14 C
Expand search form
Blog

The Met’s future? Gelb bets the house on big voices

The Met’s future? Gelb bets the house on big voices

There are six new productions in the Met’s 2025/26 season announced today, and two of them are world premieres that the public may struggle to embrace. The rest is led by a tissue of 21 Traviatas, 20 Bohèmes, 17 Turandots, 15 Butterflys, 14 Carmens and so on.

The saving grace is a renewed emphasis on world-beating singers (if all goe to plan).

Asmik Grigorian (pic) appears in Eugene Onegin. Piotr Beczała joins Sonya Yoncheva in Andrea Chénier. Aigul Akhmetshina returns as Carmen. Ailyn Pérez, Yoncheva, and Elena Stikhina alternate in Butterfly. Ryan Speedo Green is Don Giovanni. Rachel Willis-Sørensen replaces Lise Davidsen as Strauss’s Arabella. Lise herelf will be back in time for Tristan und Isolder. Joyce DiDonato will sing Kaija Saariaho’s Innocence. And rising stars like Louise Alder, Amina Edris and Masabane Cecilia Rangwanasha will take their first Met bow.

That’s a pretty strong lineup.

Peter Gelb could not resist a political jab: ‘In these uncertain times, we hope that our performances will provide solace for aworld sorely in need of it.’

The post The Met’s future? Gelb bets the house on big voices appeared first on Slippedisc.

Previous Article

Shostakovich expert dies

Next Article

Sudden death of classical sax, 48

You might be interested in …

Canada opera goes black on white

Canada opera goes black on white

Aportia Chryptych opens tomorrow in Toronto. Might it have something to do with the COC general director’s abrupt departure? Here’s the blurb. Nova Scotian contralto Portia White was the first Black Canadian concert performer to […]

Tik-tok organist joins Classic FM

Tik-tok organist joins Classic FM

Long the darling of BBC Radio 3, the social media orgaist Anna Lapwood has signed with the opposition for the Easter weekend. Lapwood will host The Royal Albert Hall of Fame or three 60-minute programmes, […]

Bratislava maestro quits

Bratislava maestro quits

Martin Leginus yesterday resigned as music director of the Slovak National Theatre, against a backdrop of Government interference. Leginus is a close friend of Robert Jindra, who quit as chiec conductor of the Kosice State […]