The Edinburgh International Festival has just ended with its best box-office in a decade. The final tally was 88 percent ticket sales to 111,000 spectators from 91 countries. The Fringe did less well, albeit on […]
The iconic opera publisher lacks the cachet it acquired in the Verdi-Puccini era, but it’s a still a force to be reckoned with. For the past 18 years it has been part of the Universal […]
This may sound like a strange observation, but for me, one of the stars of this show, aside from the composer and the conductor, is the orchestra “leader” (or as non-British orchestras call them, the […]