Next summer’s Aix-en-Provence festival presents a version of Britten’s opera redesigned for pinchpenny times: A mystery of origins and formal uncertainty shroud the story of Billy Budd, both in its operatic version, combining the libretto […]
The Colburn School’s Music Academy is to be headed by the US violinist Margaret Batjer, concertmaster of the Los Angeles Chamber Orchestra since 1998. Batjer, 65, will give up her professorship at USC Thornton School […]
A report for slippedisc.com by Susan Hall: Yuval Sharon and the American Modern Opera Company (AMOC) represent the future of opera. Their opening-night production signals a bold new direction for a grand institution long in […]