Review by our roaming critic, Susan Hall: Hans Werner Henze’s Prince of Homburg is playing at Oper Frankfurt. Jens-Daniel Herzog has created a dream world full of beauty mixed with horror. The production is set […]
The divorcing couple found themselves face to face at La Scala. Scherzo has a nuanced review by veteran musicologist Paolo Petazzi. Anna Netrebko’s search for nuances (Turandot) is admirable, as the most interesting vocal interpreter. […]
Huddersfield Contemporary Music Festival 2024 has engaged Lithuanian performance-based artist Lina Lapelytė as Composer in Residence. Her duties? Born in Kaunas, Lapelytė is known for a performance-based practice rooted in music, flirting with pop culture, […]