From our critic in residence: The word “extraordinary” is overused, but everything about the Royal Court Theatre Upstairs production of Sarah Kane’s “4.48 Psychosis” (2000) merits it. In this twenty-fifth anniversary of the original production, […]
The winner at the piano section of the 2024 George Enescu International Competition in Bucharest last night was Roman Lopatynskyi from Kyiv. The runners-up were both Russian: Tatiana Dorokhova and Evgeny Konnov. When the war […]
I keep remembering how the Marmen Quartet blew me away playing Ligeti and Bartok on their debut recording for BIS earlier this year. It’s one of those momentous recordings which comes so rarely that it […]