We have enjoyed the Modernist music of Enno Poppe (born 1969, Hemer, Germany) before – The Music of Enno Poppe (Fett, Ich kann mich an nichts errinern), Prozession, and as conductor in Berlin (music by […]
For his debut disc, saxophonist Luis González Garrido has chosen a succession of works that are fashioned from a single cell, or gesture. This process is even explicit in the title of the second piece, […]
There is a world primmer of “Schubert” here – the completion by Schubert scholar Brian Newbould of the String Trio, D 472. This is also the recording debut of the excellent Sakuntala Trio (Rebecca Chan, […]
Abbey Simon’s recording of Chopin’s complete works for piano and orchestra has been respected since its first release in 1973 (then as part of the first quadraphonic Vox Box 3LP release, SXVBX 5126). What we […]
Recorded in Antwerp, this new disc of two of Handel’s Chandos Anthems and an Oboe Concerto from Musica Gloria, Tears are my daily food, acts as a reminder of this ensemble’s importance. Here are intimate […]
Preston-born Arthur Catterall was leader of the Hallé Orchestra (under Hamilton Hate) and later the BBC Symphony Orchesra (user Boult). He is of the same generation as Marie Hall (who also appears in this series); […]
Only his week, we had the World premiere recording of Humpedinck’s Das Mirakel; today, it is Raff’s late opera, Die Eifersüchigen (The Jealous Ones, WoO 54, 1881/2) that receives its premiere incarnation on disc. In […]
This is a fascinating idea: the same piece, twice, once with piano and once with orchestra. Surely Richard Strauss’ famous orchestrational ability is what makes this piece so special? Those autumn hues as he prepares […]
Berlioz, Ortiz Pacho Florez (trumpets); Philharmonia Orchestra / Rafael Payare. Royal Festival Hall, London, 27.11.2025 Berlioz Le carnaval romain Overture (1843) Ortiz Trumpet Concerto, ‘Altar de Bronce’ (2022), London premiere Berlioz Symphonie fantastique (1830) Rafael Payare is an exciting conductor who […]
We have met violinist Vilde Frang on evil occasions, most memorably in her coupling of Beethoven and Stravinsky, in Berg at the Barbican, and in Bartók in Berlin. We have also considered Albert Sammons’ recording […]