We first met the Tippett String Quartet via Penderecki Complete Music for String Quartet, also on Naxos, then live at Thaxted Festival. Now, one of the most cruelly under-rated composers out there: Alexander Glazunov (1865-1935). […]
Rarities performed at the highest standards, both performative and in terms of recording, are themselves rare, so it is good to have Sinfonia of London under John Wilson in this sequence of early music by […]
It is truly astonishing to think that this is Glyndebourne’s first Monteverdi L’Orfeo. It is not the first Monteverdi there, though: both Poppea (first seen1962), and Il Ritorno d’Ulisse in patria (1972) have previously featured. […]
Time Entwined Birtwistle, Gerber & Mason Students from the Royal College of Music; Young Musicians from the North London Music Hub; London Sinfonietta / Geoffrey Paterson (conductor); Queen Elizabeth Hall, London, 11.5.2026 Steven Gerber Duet […]
Solomon’s Knot and Jonathan Sells join forces with Les Passions de l’Âme (The Passions of the Soul)) for this celebration of late Telmann sacred music, Ton Koopman waxed lyrical to me once about Telemann’s Donnerode, […]
8 Songs for a Mad King Soloists; Manchester Camerata / John Andrews (conductor); Company Chameleon (stage direction). King’s Place, London, June 6, 2026 Judith Weir Blue Green Hill Errolyn Wallen By Gis and By Saint […]
A selection of 17 pieces launched by Johann Caspar Ferdinand Fischer (1656-1746) launched by “Honori Purificationis BV Mariae” (In Honour of the Purification of the Blessed Virgin Mary) from Lytaniae Lauretanae and crowned by one […]
Carl Nielsen’s music to The Mother: A Play in a Prologue and Seven Scenes by Helge Rode was recorded in full for the first time here. Some excerpts have found their way in into record […]
There are kazilliions of Goldbergs out there. Here’s one with a difference: an arrangement by Tomáš Ille (born 1971) for French horn (Radek Baborák), violin (Dalibor Karvay), marimba (Andrei Pushkarev) and bass clarinet (Petr Velášek). […]
Macbeth, Op. 23 (1886-8) Richard Strauss’ first tone-poem, is not heard much. Norman del Mar devoted much space to it in his fine Strauss books, though, and that piqued my interest many, many years ago […]
