August 23, 2026
Athens, GR 14 C
Expand search form
Blog

Faces of the unseen Sofia Gubaidulina

Faces of the unseen Sofia Gubaidulina

The record producer Helmut Mühle visited the composer several times at her home in Appen, near Hamburg, creating a profound portrait of a spiritual personality. He shared the portraits with Gidon Kremer and we present them here for the first time.

The radio producer Bruce Duffie interviewed Gubaidulina through an interpreter in 1997. She instructed him in the correct pronunciation of her name – GubaiDOOlina – and allowed a glimpse into her inner world.

BD: When you’re writing a piece, are you always in control of it, or are there times when the notes seem to be leading your hand?

SG: [Thinks for a moment.] Yes, I am controlling my process.

BD: Always?

SG: Yes. Yes, yes.

BD: Does the piece ever fight you at all?

SG: I wouldn’t say that the piece fights me, but there is certain resistance, a discrepancy or gap between what my unconscious intuition wants and the structuralities that I want to impose on my pure intuition.

BD: Who wins?

SG: In general, the intuition wins. Even in the case when the structural support would dominate, still intuition wins; it’s more important that intuition would dominate. For me the most important thing is not to interfere with intuition, not to get in the way of intuition. I understand that this solution can be very different for different composers; they can have different solutions for this problem. There are different types of composers, and one type tends to be more strong in intuition, and another one more strong in intellectual. I’m not judging whether it’s good or not; it doesn’t mean that it’s good or bad.

BD: Just different?

SG: The main thing is that for the person who has a very strong intuition, he would not encounter any resistance from the intellectual side. And for the person who has very strong intellectual side of his genius, this intellectual side would not overpower the emotional, or intuitive side.

BD: Is this just about other composers, or also the performers of your music?

SG: It is about the composers in general.

Full interview here

The post Faces of the unseen Sofia Gubaidulina appeared first on Slippedisc.

Previous Article

Dear Alma, My student just won’t practice

Next Article

Alastair Macaulay reviews a singer who conducts

You might be interested in …

Russia mourns top sax

Russia mourns top sax

The country’s pioneering saxophonist, founder of the instrument’s only specialist school, has died in Moscow, at 84. Margarita Shaposhnikova was born in Saratov in 1940 and became professor at the Gnessin school. Her proudest moment […]

Paris unveils awful Rachmaninoff statue

Paris unveils awful Rachmaninoff statue

The Rachmaninoff Conservatory of Paris, founded in 1923 by the exiled Fyodor Chaliapin and Alexander Glazunov, has inaugurated a statue of its namesake. The sculptor is Besik Solomonashvili and the image looks more like FDR […]

Iceland mourns composer, 99

Iceland mourns composer, 99

Jón Nordal, principal of the Reykjavík School of Music for 43 years, died on December 5 at the age of 99. He leaves behind large orchestral works and concertos, along with much chamber music, organ […]