September 28, 2026
Athens, GR – 14 C
Expand search form
Blog

How Dudamel handles mistakes in audition

How Dudamel handles mistakes in audition

LA Phil violist Mick Wetzel has collected a range of insights that he’s gathered from sitting with Gustavo Dudamel in auditions for new players. His thoughts are published on Laurie Niels’s site violinist.com and are worth reading – not least because this is a musioc director who is really committed and present in auditions.

The over-booked next generation – Klaus Makela,. for instance – hardly bother to attend.

Here’s one tip:

First of all, don’t make a completely mistake-free performance your number-one priority. As Gustavo said, when you are playing “not to make a mistake,” then “there is already a mistake, because the mistake is thinking that way….Change that way of thinking.”

And if you do make a mistake during the audition, don’t panic. I promise that your perception of a mistake is a little distorted. Move on. Make the next note, the next phrase, the next excerpt even more beautiful than anything that preceded it. We give positive consideration to candidates who show poise and resilience.

More here.

The post How Dudamel handles mistakes in audition appeared first on Slippedisc.

Previous Article

Here comes Mozart: Her Story…. Next up, Mahler?

Next Article

Music and movement: new musicians in Liverpool, new artistic directors in Brighton & George Jackson continues in Amarillo

You might be interested in …

…And one who’s staying in Trumpland

…And one who’s staying in Trumpland

The Italian conductor Gianandrea Noseda has extended his stay as music director in Washington DC to the year 2031. Press release: The National Symphony Orchestra (NSO) is proud to announce that Music Director Gianandrea Noseda, […]

La Scala recalls ballet chief

La Scala recalls ballet chief

Frédéric Olivieri, director of the corps de ballet at La Scala Milan from 2002-07 and again from 2017-2020, is back – at least for the next two years. He replaces Manuel Legris, who departed with […]