September 4, 2026
Athens, GR 14 C
Expand search form
Blog

How little labels changed our world

How little labels changed our world

From the Lebrecht Album of the Week:

What small labels do best is backing the owner’s hunches. BIS in Stockholm produced symphonies by Alfred Schnittke when he was unheard outside Russia. Hyperion in south London resurrected 19th century piano concertos. Cedille in Chicago backs off-beat US composers. Manfred Eicher’s ECM in Munich is the engine behind Arvo Pärt, Giya Kancheli and Chick Correa. These labels are often thelion kings of classical recording.

We owe the rediscovery of Mieczyslaw Weinberg, a Polish refugee in Soviet Russia, to a father-son team in Colchester, England, operating from a mobile recording unit….

More here.

And here.

The post How little labels changed our world appeared first on Slippedisc.

Previous Article

A type of understated British conductor

Next Article

Death of rags-to-riches tenor, 87

You might be interested in …

Just in: New boss at Hohens

Just in: New boss at Hohens

Canada’s Honens International Piano Competition has named Amanda Smith as prez and CEO. She has already depped in those roles since John Kieser abruptly quit in November. Away from Honens, Smith is a Board Director […]

Boston hooks extra horn

Boston hooks extra horn

The Boston Symphony Orchestra has hired Austin Ruff as assistant principal/utility horn. He will occupy the seat of Jonathan Menkis, who retired from the BSO after 34 seasons in 2018. Ruff is presently associate principal […]