An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
Aix en Provence Easter Festival: Ogonek, R. Strauss, Prokofiev Renaud Capuçon (violin); Orchestre de la Suisse Romande / Elim Chan (conductor). Grand Théâtre de Provence, Aix en Provence, France, 19.04.2025 Elizabeth Ogonek All These Lighted Things […]
The German violinist who has declared a boycott on Trump’s USA is mystified at the lack of protest among American musicians and institutions. In Zurich this week, he played the Ukrainian national anthem at his […]
Canada’s National Arts Centre last night appointed John Storgårds as the eighth music director of its resident orchestra. Storgårds, 62, is also chief conductor of the BBC Philharmonic in Manchester. Storgårds is Finnish. So is […]
.jpg?w=160&resize=160,160&ssl=1 "Anna Clyne in residence, collaborations with Jess Gillam, Alice Sarah Ott & Rushil Ranjan, Britten's War Requiem at Coventry Cathedral: the CBSO 2026/27 season")
