An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
The Georgian violinist Lisa Batiashvili has walked out on HarrisonParrott after 27 years. She has joined up instead with second-gen management at Impresariat Simmenauer in Berlin. Her transition may be linked to the recent retirement […]
Boston Lyric Opera (BLO), New England’s largest and most enduring opera company, is in celebratory mood. Founded in 1976, 2026 is its 50th year and 2026/27 is its 50th season. And recent seasons have seen […]
An audience member who held up a rude sign in Finnish during an Esa-Pekka Salonen concert ten days ago has been threatened with disciplinary acction by the orchestra management. Laura Leibowitz brandished the sign below. […]
