An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
Manuscript score, signed by the composer and the performers of the premiere One of England’s greatest choral works, Elgar’s The Dream of Gerontius, has excitingly been put centre stage in Alan Bennett’s brand-new film The […]
Messages are pouring in on the death of Dr Leah Brown, lecturer at the University of Trinidad and Tobago and music director of the Lydians. Her teaching was transformational. View this post on Instagram […]
Martha Argerich, who appeared this week at the Verbier Festival, has cancelled the Engadin Festival this weekend ‘for health reasons’. Her trio partners Mischa Maisky and Iddo Bar-Shai have also withdrawn. They are replaced by […]
