An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
Arabella Arts has taken on worldwide management for Leslie Suganandaraja, music director at the Salzburg Landestheatersoce 2019. Suganandarajah’s family fled the civil war in Sri Lanka when he was a boy and settled in Hannover. […]
Acis and Galatea (Bärenreiter Edition) Composed by George Frederick Handel Libretto by John Gay after Ovid’s Metamorphoses Cast and Production staff: Acis: Anthony Gregory; Galatea: Elizabeth Karani; Polyphemus: Chuma Sijeqa; Ruairi Bowen; Director: Louise Bakker; […]
John Betjeman anniversary Also worth mentioning today is that it’s 40 years since the death of British poet, writer and broadcaster, John Betjeman, who was Poet Laureate from 1972-1984. Although born in 1906, he was […]
,%20Camilla%20Seale%20(Alcina)%20plus%20chorus%20Credit_%20Genevieve%20Girling%20(1).jpg?w=160&resize=160,160&ssl=1 "It was Francesca Caccini's score, & Vache Baroque's performance, that surprised & captivated: La liberazione di Ruggiero at Buxton International Festival")
,%20Hilary%20Cronin%20(Melissa)%20and%20Rowan%20Pierce%20(Oriana)%20Credit_%20Genevieve%20Girling%20(1).jpg?w=160&resize=160,160&ssl=1 "Musically, an evening of complete enjoyment: Olivia Fuchs's playful 'Love Island' setting for Handel's Amadigi in Buxton")
