An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
Back in June 2024 Vache Baroque staged six multi-sensory concert experiences of Handel’s L’Allegro Part I (setting a text based on Milton) in collaboration with BitterSuite (a group that creates music experiences that take inspiration […]
Manuscript score, signed by the composer and the performers of the premiere One of England’s greatest choral works, Elgar’s The Dream of Gerontius, has excitingly been put centre stage in Alan Bennett’s brand-new film The […]
The third volume in the series Elgar from the Archives from SOMM Recordings includes two historic recordings conducted by Sir Adrian Boult: the oratorio The Kingdom, Op. 51 and the ever-popular Variations on an Original Theme ‘Enigma,’ Op. 36. These variations form an […]
%20Graham%20Boulton.jpeg?w=160&resize=160,160&ssl=1 "Celebrating John Joubert at Royal Birmingham Conservatoire in advance of his 2027 centenary")
