An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
From the Chicago Symphony: The CSOA family congratulates CSO cello Loren Brown on his retirement. Brown joined the Orchestra under Music Director Sir Georg Solti in 1985. Across his CSO tenure, he was a soloist […]
The French cellist Ophélie Gaillard, whose 1737 Goffriller was taken by housebreakers while her family were asleep at home, has been reunited with the instrument, and with two precious bows that were also taken. Three […]
We hear that Sir John Eliot Gardiner has been summoned by the Orchestra Mozart to stand in for Daniele Gatti, who has fallen sick. He will conduct Beethoven’s 8th and 9th symphonies on Thursday in […]
