An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
It has been annoucned that the UK-based South African cellist and singer Abel Selaocoe will play a Sunday morning spot at the rock-inconic Glastonbury Festival this summer. He will appear with his Bantu Ensemble with […]
Ottorino Respighi’s ‘mystery in three episodes’, Maria Egiziaca (Saint Mary of Egypt) started out as a concert triptych. Some have suggested its dramatic/symphonic slant puts it midway between oratorio and opera, but stagings are fairly […]
The 43rd International Hans Gabor Belvedere Singing Competition was won last night in Bern by the South Korean baritone Geon Kim. Out of 135 singers from 45 countries, South Korea submitted by far the most […]
