An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
These days, she confines herself to the first piano concerto. But then the second was written first (see Why Beethoven). The post Martha plays the second Beethoven appeared first on Slippedisc.
The West-East Diwan Orchestra has been rehearsing in Berlin for its spring tour. Daniel Barenboim has asked his friend Zubin Mehta to stand in for him. Daniel Barenboim: “I am thrilled that Zubin has agreed […]
There’s a surprise #1 on the Apple Classical global streaming charts this week. It’s a French-US harpsichordist called Justin Taylor playing Chopin on a Pleyel pianino of 1839. The label is Outhere. Is Justin out […]
