An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
The University of Exeter has awarded a degree of Doctor of Letters (honoris causa) to Dougie Scarfe (centre), chief executive of the Bournemouth Symphony Orchestra. The award is for his ‘commitment to breaking down barriers […]
Rising concern about Arts Cancel England (ACE) has prompted librarians at the House of Lords to prepare a really useful couple of charts on how opera has been centrally funded over the past eight years. […]
Firstly, what a beautiful disc this is, from each and every angle: the performer, one of the most experienced tenors active today, James Gilchist, with a superb pianist, Anna Tilbrook, captured in Chandos’ trademark excellence […]
