An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
The SA Philharmonic has cancelled the rest of October while mired in disputes, financial and legal. Here’s the current state of affairs, by Sanford Nowlin: “The San Antonio Philharmonic has pushed back its Classics III […]
Our resident critic Alastair Macaulay is spending most of his summer at the Royal Albert Hall: by Alastair Macaulay Let’s hear it for the term “semi-staged”! On Monday 1 September, English National Opera presented Shostakovich’s […]
The Bournemouth Symphony Orchestra has launched a competition for amatuer musicians to display their skills. Entrants are required to upload a solo performance of up to three minutes inspired by birds or birdsong. Full details […]
