An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
Ensemble 360. Crucible Playhouse, 22.05.2024 Ravel Berceuse sur le nom de Gabriel Fauré, MA 74 (1972) Saint-Saëns Oboe Sonata in D major, Op. 166 (1921) Adès Alchymia (2021) Messager Solo de Concours (1899) Franck Piano Quintet in F minor, […]
Kedrick Armstrong gave his first downbeat as Music Director of the Oakland Symphony on October 18, drawing raves from the crowd and critics: “A striking debut, promising an exciting new era for the symphony… “ Leoni […]
This is fascinating: it reminded me so much of the amazing Les Éléments concert in Périgord last summer; music of openness and exuberance of invention. Matthias Weckmann seemed to be pulled towards Dresden as if […]
