An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
From the Pittsburgh Symphony: PITTSBURGH, PA— The Pittsburgh Symphony Orchestra (PSO) today released the results of an independent study of its economic impact on Pittsburgh and the surrounding region. The study was conducted by a […]
The town of Bayreuth is planning a Nazi documentation centre. It will be housed in the former mansion of the British antisemitic polemicist Houston Stewart Chamberlain, a significant influence on Richard Wagner and Adolf Hitler. […]
The international opera star Aida Garifullina gave a concert in the Oxford Union. Normally, she’d bring her own pianist. Here, she was accompanied by Christian Wilson, Director of Music at Keble College. The post Look, […]
