An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
The Wilhelm Furtwängler Society has shared with us an English version of Wolfgang Schreiber’s shrewd and timely overview of the conductor’s legacy, 70 years after his death. It’s an essential summary, from an internal-German perspective. […]
The board of the Teatro Comunale di Bologna, Italy’s second most importnat opera house, has named Elisabetta Riva as the new Sovrintendente, starting immediately. Riva, 52, has been director for the past ten years of […]
press release: Royal College of Music student, Robyn Anderson has won a place on the Berlin Philharmonic’s highly competitive Karajan Academy programme… This exceptional opportunity places Robyn among a select few musicians accepted each year, gaining experience in rehearsals and concerts with the Berlin Philharmonic as well as individual lesson […]
