An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
The Auschwitz-Birkenau Museum has a collection of music manuscripts written, arranged and performed by the prisoners themselves. Damaged, complete and often overlooked, composer and conductor Leo Geyer has been working with the museum, survivors and […]
Save Our Souls VENI Ensemble. Slovenian National Gallery, Bratislava, 11.02.2025 Daniel Matej (b, 1963) Save Our Souls (2015, version for picc/piano) Sciarrino Let me die before I wake (1982) Lenka Novosedlkovà (b. 1989) Obraz I […]
From a forthright interview by Jeffrey Arlo Brown with violinist Michael Barenboim for VAN magazine: Would you describe yourself as an anti-Zionist? I definitely don’t see the point in trying to maintain this ideology […]
-14.jpg?w=160&resize=160,160&ssl=1 "10th anniversary: Fantasia Orchestra celebrates with a busy summer featuring a return to the BBC Proms")
