An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
The Deutsche Oper am Rhein has opted for interim management after the withdrawal for health reasons of its intendant, Christoph Meyer. Meyer’s assistant Marwin Wendt will become acting artistic from April 1. Alexandra Stampler-Brown will […]
The BBC has unrolled a new partnership with the European Broadcasting Union. It is described as ‘the first new Eurovision music co-production with the European Broadcasting Union (EBU) since Eurovision Young Musicians, which first aired […]
Schubert at the Wigmore Hall One of my best Christmas presents this year came from Wigmore Hall which made this beautiful selection of sublime songs available to us, the audience, free, this week. The live […]
.jpg?w=160&resize=160,160&ssl=1 "The Trial of Dhegdheer: a Somali folktale is the inspiration for a new community opera bringing together communities of Butetown & Grangetown in Cardiff")
