An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
Music In The Round: Saint-Saëns; The Renaissance Man Ensemble 360 / George Morton (conductor, L’assassinat du duc de Guise). Crucible Playhouse, 21.05.2024 Morceau de concert in F minor, Op. 94 / R 203 (1887) Bassoon […]
Hilary Hahn is unwell: ‘I’m saddened to report that I’m not yet well enough to travel, so my recital in Chicago is postponed until further notice.’ She is due in Brazil at the end of […]
The funeral took place yesterday in Netanya, Israel, of Daniel Hoffman, an outstanding researcher and performer of klezmer music. He was diagnosed two years ago with a glioblastoma and received treatment in Germany. Daniel leaves […]
.jpg?w=160&resize=160,160&ssl=1 "BBC Proms: Bach's Mass writ large as Arcangelo give us choral bravura at Royal Albert Hall")
