An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
The Royal Opera informs us that Eva-Maria Westbroek has withdrawn from all performances of Festen ‘due to personal reasons’. The new opera by Mark Anthony Turnage, based on the Danish cult film, does not premiere […]
By our roving New York critic Susan Hall: Maestra, a lively documentary film by Maggie Contreras, opens in the United States this week. The film follows five contestants in the second biennial Maestra competition […]
Indiana University Jacobs School of Music has announced the death of Professor Kathryn Lucas, who retired last year. Kate specialised in contemporary flute peformance. She was principal flute of Santa Fe Opera and guest principal […]
