An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
The Wilhelm Furtwängler Society has shared with us an English version of Wolfgang Schreiber’s shrewd and timely overview of the conductor’s legacy, 70 years after his death. It’s an essential summary, from an internal-German perspective. […]
The death has taken place in a London hospital of the much-loved singer and teacher Michael Harper. After a stage career in Europe and Asia, Michael Harper became Professor of Singing at the Royal Northern […]
We learn from 4barsrest that Kaitlin Wild has been appointed Principal Second Trumpet with the City of Birmingham Symphony Orchestra. She is also a member of Onyx Brass and Septura Brass Ensemble and has freelanced […]
