An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
A real reminder of Massenet’s operatic genius here. This is the story of Salomé, later injected into operatic history books by Richard Strauss, but here set by Jules Massenet in a four-act opera with a […]
The American harpist Yolanda Kondonassis, the most recorded artist on her instrument, resigned last night in dismay from the embattled Cleveland Institute of Music. Oklahoma born, Yolanda is married to Michael Sachs, principal trumpet of […]
Obituary by Alastair Macaulay: The enchanting, generous, warm, and devout Marianne Preger Simon (1929-2024) has died. She danced for and with Merce Cunningham well before there was any Cunningham Dance Company. In 1949, finding that […]
.png?w=160&resize=160,160&ssl=1 "The Continuo Foundation invites applications for its 11th round of funding with £106,000 available including a partnership with The Purcell Society")
