An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
Here Hong Kong-born pianist Tiffany Poon reveals her close affinity to Schumann – the only real comparison I can think of is someone whom I consider one of the greatest Schumann pianist of all time, […]
Message from Seraph Brass, an all-female ensemble: We are thrilled to welcome our newest core member, horn player Layan Atieh! Layan Atieh is a Palestinian-American horn player currently residing in Cleveland, OH. Layan regularly performs […]
Alma Mahler remains a fascinating figure. Musically active as a composer, albeit for a relatively short time, her life has been rather overshadowed by her relationships. She married the composer Gustav Mahler, the architect Walter […]
.jpg?w=160&resize=160,160&ssl=1 "Virtuosity & discipline: John Wilson & the Sinfonia of London in Respighi's Roman trilogy & Walton's Cello Concerto")
