An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
In a joint enterprise between writer and musician Hana Gubenko and myself, Samuel Taylor-Coleridge’s short-lived political journal The Watchman returns in a new guise, as an internet magazine designed to stimulate and inform. Here, in […]
The most listened-to item on Apple Classical this past week has been an album of serenades on Deutsche Grammophon by the French guitarist Raphaël Feuillâtre, played on 19th century instruments. Raphaël Feuillâtre, 28, was born […]
Joubert: Jane Eyre – Laura Mekhail (Jane) – Green Opera at Grimeborn Festival, Arcola Theatre – (Photo: Camilla Greenwell) John Joubert: Jane Eyre; Laura Mekhail, Hector Bloggs, Lawrence Thackeray, Alexander Semple, director Eleanor Burke, conductor […]
%20Sasha%20Gusov.JPG.jpg?w=160&resize=160,160&ssl=1 "Le Piano Symphonique, Lucerne: pianist Alexandre Kantorow in a marathon from Prokofiev to Alkan & Medtner with an Anders Hillborg premiere")
