An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
This release, aptly titled “A Duke Moment”, spotlights music originating from Duke University. The Ciompi Quartet, comprised of professors at Duke, play an interesting program of new and recent works for string quartet by composers […]
Tanja Dorn will personally manage the young German pianist Colin Pütz, who her agency signed this week. Colin Pütz, born 2007, has a close relationship with conductor Cristian Măcelaru, who booked him at WDR for […]
Erwin Schrott has pulled out as Mephisto in Covent Garden’s upcoming production of Gounod’s Faust. His replacement is a rising Pole, Adam Palka, who has sung leading roles in Vienna, Paris and Milan. His Mephisto […]
%20Craig%20Fuller.jpg?w=160&resize=160,160&ssl=1 "Sonic & dramatic splendour: Jonathan Cohen, Arcangelo & a strong cast demonstrate the richness to be found in Handel's Saul to open the London Handel Festival")
