An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
John Andrews at recording sessions for his disc of Sullivan songs When conductor John Andrews and I met up for a chat recently, it was the music of Sir Arthur Sullivan that was high on […]
We have been notified of the passing of Marie-Noëlle Damien, a semi-finalist at the Queen Elisabeth Competition who made a couple of recordings for EMI. She was, for many years, a student of Evgeny Malinin. […]
We have learned of the death of Peter Gane, one of Britain’s leading brass players.. A member of the London Symphony Orchestra from age 19, Gane was professor of trombone at the Guildhall School from […]
.jpg?w=160&resize=160,160&ssl=1 "Virtuosity & discipline: John Wilson & the Sinfonia of London in Respighi's Roman trilogy & Walton's Cello Concerto")
