An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
Message from the excellent French cellist Jean-Guihen Queyras: ‘After last week’s horrific spectacle at the White House—staged to humiliate President Zelensky—and the U.S.’s rapid shift away from the fundamental freedoms and democratic ideals that Europe […]
The 17th century stables at Nevill Holt which now house the theatre Following a sharp pivot after the abbreviated 2023 opera season, the Nevill Holt Festival was inaugurated this year under the direction of James […]
It looks like the Chicago opera house has found a successor to Anthony Freud (pictured). Dear Colleagues, Please join us tomorrow, Wednesday July 31, 2024, from 11am – 12pm for a special company meeting to […]
