An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
The Dutch choral world is in mourning for Bas Ramselaar, an imperious bass singer and chorus conductor who has died after a seven-month illness. Bas enjoyed an international career as soloist with majopr orchestras. […]
Leave work before 1700: The Faculty of Music at the University of Cambridge wishes to appoint a musicologist specialising in the period before c.1700 to the post of Assistant Professor, starting on 1 January 2025 […]
For all he attention on Faust and his Bach arrangement, Ave Maria, the music of Gounod remains elaivly unexplored. This is a welcome disc, therefore. Iroically, I begins with just that Ave Maria in its […]
