An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
The last French maker of accordions, Maugein, has gone into liquidation after 105 years. They blame unfair competition from China, along with the slump brought on by Covid. The last instrument leaves the factory next […]
.jpg?w=670&resize=670,446&ssl=1 "Pitlochry Festival Theatre and Scots Opera Project team up for Scottish Gaelic & Scots Language version of 'Dido and Aeneas'")
Now this is intriguing. Pitlochry Festival Theatre and Scots Opera Project are teaming up for a production of Purcell’s Dido and Aeneas in an exciting new Scottish Gaelic and Scots Language version! David Douglas directs with a Scots […]
Ann Hallenberg, The Mozartists, Ian Page recording Gluck Arias (Photo: Ben Ealovega) Swedish mezzo-soprano Ann Hallenberg has a new album out. For Gluck Arias on Signum Classics, she joined forces with conductor Ian Page, with […]
