An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
PROM 67 Vaughan Williams, Schoenberg, Shostakovich Patricia Kopatchinskaja (violin); BBC Symphony Orchestra / Tarmo Peltokoski (conductor). Royal Albert Hall, London, 09.09.2024 Vaughan Williams Fantasia on ‘Greensleeves’ (1934) Schoenberg Violin Concerto, Op. 36 (1935/6) Shostakovich Symphony No. 5 in […]
The veteran conductor Vladimir Fedoseev, 91, told a Victory Day concert audience in Moscow of his personal recollections of the Great Patriotic War: ‘I still have it all before my eyes… It’s hard to say […]
Like the repertoire concertos of Brahms and Beethoven, Busoni’s Violin Concerto is cast in D major (and indeed, Busoni wrote cadenzas for both of his great predecessors’ concertos). Busoni’s Violin Concerto, Op. 37a, was premiered […]
%20BPA-9.jpg?w=160&resize=160,160&ssl=1 "From Young Apollo to the Cello Symphony to the Poet's Echo to Phaedra: the range of Britten's composing career explored by Britten Sinfonia at Aldeburgh Festival alongside new works")
