An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
The Hamamatsu International Piano Competition peasants Manami Suzuki King’s Place, London, 23.01.2026 Haydn Piano Sonata in G, Hob. XVI:6 Bach Prelude and Fugue in B flat minor, BWV 891 (WTC Book II) Szymanowski Metopy, Op. […]
Richard Wagner’s only comic opera had a long gestation. Summer 1845: drawing on the History of German Literature as well as the biography of poet and shoemaker Hans Sachs, the composer sketches out ideas for a satirical […]
A small Gaza demonstration outside Davies Symphony Hall greeted concertgoers to the Israel Philharmonic’s tour performance lasty night. Local estimates suggest about 100 protestors turned out, representing Artists Against Apartheid and other groups. Inside, the […]
.jpg?w=160&resize=160,160&ssl=1 "The Trial of Dhegdheer: a Somali folktale is the inspiration for a new community opera bringing together communities of Butetown & Grangetown in Cardiff")
