An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
Message from a frustrated reader: Dear Mr Lebrecht, I recently created a small concert series with my sister, Harriet Mackenzie (https://harrietmackenzie.com/) presenting some legendary pieces of classical repertoire. In order to promote our series we […]
In what may be the first official acknowledgement that Gustav Mahler created his last works on Italian soil, the President of the Italian Republic Sergio Mattarella visited the wooden hut in Dobbiaco (Toblach) where the […]
The Alastair Macualay Review: A number of singers – Placido Domingo and Dietrich Fischer-Dieskau the most renowned – have also been conductors. It’s probably not a first to have someone sing and conduct at the […]
