An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
In 2017 https://slippedisc.com/2017/06/exclusive-opera-critic-is-hit-with10000-euro-libel-fine/ that the Romanian critic Alexandru Patrascu, a contributor to the London-based Opera magazine, lost a libel case brought against him by the conductor Tiberiu-Ionuț Soare, ex-head of Bucharest National Opera, and the […]
The orchestra takes up a six-day residency this week with chief conductor Kirill Petrenko and pianist Yuja Wang. The residency includes four orchestra concerts at the Shanghai Grand Theatre with works by Johannes Brahms, Richard […]
That Bastard Puccini is the title of a new play coming to the London stage by former Gramophone editor, James Inverne. It recounts the race between Puccini and Leoncavallo to compose an opera on La […]
