An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
Holly Harman Ground: Nicola Matteis, Heinrich Biber, Turlough O’Carolan/James Oswald, Marco Uccellini, Alice Zawadzki, Sid Goldsmith; Holly Harman, Carina Cosgrave, Oliver John Ruthven, Kristiina Watt, Sid Goldsmith; Stone NestReviewed 30 April 2025 Launching her album, […]
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Message received: A Season To Sing is a choral re-imagining of Vivaldi’s enduringly popular set of violin concertos, The Four Seasons, first published 300 years ago in 1725. RSCM composer Joanna Forbes L’Estrange is rearranging […]
