An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
Composer Michael Shapiro has sent us this obituary for Adam Abeshouse, whose funeral takes place today, hours before Yom Kippur: Exemplary recording producer, engineer, and classical violinist Adam Abeshouse, 63, passed away from pancreatic cancer […]
Message received: Once a long-time member of the Orchestra of the 18th Century and La Petite Bande as well as first professor of baroque cello at the Royal Conservatory of Brussels (1994–2000) – Hidemi Suzuki […]
NEXT TO NORMAL – Wyndham’s Theatre When this landmark musical debuted on Broadway in 2010, it won three Tony Awards and the Pulitzer Prize for Drama – one of only ten musicals in history to receive this prestigious honour. It […]
