An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
The Long-Thibaud-Crespin Competition, among the most prestigious in France, has been won by the Korean pianist Kim Sae-hyun. The 17 year-old played Rachmaninoff’s third concerto in the final with the Orchestra of the Republican Guard, […]
We hear that the orchestra of English National Opera has been engaged to play Tchaikovsky’s Mazeppa at Grange Park Opera next summer. It will be conducted by ENO’s former music director, Martyn Brabbins, who resigned […]
From the Lebrecht Album of the Week: Comparisons in music are unfair. An ephemeral art cannot be measured and pinned, like a butterfly, to the page without risking mortal damage. Nevertheless, human beings possess critical […]
