An extremely rare interview with the grande dame of British pianism, heroine of the Blitz.
She also talks of making false crescendos to mask the noise of flying bombs. ‘When the bomb went away, I made a decrescendo.’
The post Myra Hess remembers her debut with Beecham appeared first on Slippedisc.
An entertaining essay in the New York Times by harpist Parker Ramsaydoes its damnedest to pluck the instrument from obscurity. … I’m a professional harpist. So is my mother. Some of my earliest exposure to […]
Sad message from Ensemble Klang: We’re devastated by the sudden loss of our dear, dear friend, magnificent colleague, saxophonist extraordinaire Erik-Jan de With. Words can’t fill this unexpected void. We’ve had more than 20 years […]
Marschner: Der Vampyr – Milena Knauß – Gothic Opera (Photo: Craig Fuller) Marschner: Der Vampyr, in a version by Julia Mintzer & Kelly Lovelady; Giuseppe Pellingra, Milena Knauß, Jack Roberts, Amber Reeves, Conall O’Neill, Madeleine […]
.jpg?w=160&resize=160,160&ssl=1 "By turns ravishing & spine-tingling: period instrument orchestra Les Siècles is the star of the show in Berlioz's La damnation de Faust at the BBC Proms conducted by Jakob Lehmann")
