Yuncham Lim cerainly made waves wt this performance: live at the 2022 Van Cliburn International Piano Competition. He was 18.. Lim’s debut studio album Chopin Étude was the subject of a post on Classical Explorer here. […]
Previously, we covered three string quartets by Ignaz Pleyel (1757-1831) in this post. While he was certainly tremendously popular in his day, Pleyel’s music has dipped into obscurity s0 for a long time he was […]
We began our coverage of Opera Rara’s Donizetti Songs #4 because of the inclusion of a setting of some of the libretto for La Straniera, and we covered Bellini’s opera of that name recently. now […]
Bach, Chopin, Shostakovich Evgeny Kissin (piano). Barbican Hall, London, 25.06.2025 Bach Partita No. 2 in C minor, BWV 826 Chopin Nocturnes: C sharp minor, Op. 27/2; A flat, Op. 32/3. Scherzo No. 4. Shostakovich Piano Sonata No. […]
My Father’s Son Nicky Spence (tenor); Dylan Perez (piano) Thaxted Parish Church, 22.06.2025 Although this recital uses the words of others, it might as well be autobiographical,’ said Nicky Spence in an article about this […]
Scriabin, Bach, Beethoven Nicolas Namoradze (piano). Wigmore Hall, 23.06.2025 Scriabin Piano Sonata No. 10, Op. 70 (1912/13) Bach Prelude & Fugue in E, BWV 878 (WTC II) Scriabin Fugue in E minor, WoO 20 (1892) Bach […]
Love and Loss: Music for Countertenor & Lute Songs by Dowland, Danyel, Rosseter, Campion, Purcell, Blow and Cynthia Harper. Alexander Chance (countertenor); Toby Carr (lute). Thaxted Parish Church, 22.06.2025 (9pm) A stroll through Elizabethan lute […]
It’s been a while: well, over 40 years, since I heard Lehár’s Die lustige Witwe, in an amdram production just outside of Manchester in which I was playing French horn. Has absence made the […]
#MOZART250: Rachel Podger plays Mozart. Rachel Podger (violin); The Mozartists / Ian Page (conductor). Wigmore Hall, Londo, 18.06.2024 (CC) Haydn Symphony No. 66 in B flat (1775/6) Mozart Violin Concertos: No. 2 in D, K 211 […]
Opera Rara’s Donizetti Song Project is the latest in their alchemical mix of musicology and performance. But why say with Volume Four first? Because recently we heard Bellini’s La straniella (see this post), and Donizetti […]
