Miachael Sanderling (son of the great Kurt Sanderling) is a conductor I am aching to hear live. His contribution to this remarkable disc of Grieg and Schumann piano concertos with Elisabeth Leonskaja was notable indeed; […]
Two discs of Mozart Horn Concertos day: Pip Eastop, who we met most recently here, with the Hanover Band and fellow horn player Anthony Halstead, on Hyperion, and Alec Frank-Gemmill with the Swedish Chamber Orchestra […]
The Dudok Quartet Amsterdam is interesting firstly in that they boast beautiful vintage instruments and they perform Tchaikovsky with unwound gut brings nd period bows. It is the continuation of a journey begun in 2020 […]
The first disc of Alpesh Chauhn’s Tchaikovsky series on Chandos with the BBC Scottish Symphony Orchestra was well received critically, including here at Classical Explorer. Here’s the promo video for Volume Two: The disc begins […]
Vítězslav Novák (1870-1949) was a composition student of Dvořák. His music blends folk music with a late-Romantic opulence which can include hits of Impressionism. It is a fascinating mix which nevertheless always seems to keep […]
Save Our Souls VENI Ensemble. Slovenian National Gallery, Bratislava, 11.02.2025 Daniel Matej (b, 1963) Save Our Souls (2015, version for picc/piano) Sciarrino Let me die before I wake (1982) Lenka Novosedlkovà (b. 1989) Obraz I […]
This is a remarkable two-CD set comprised entirely of first releases including never-before-issued performances led by the renowned conductor Pierre Monteux. Among these is a legendary 50th Anniversary performance of Stravinsky’s Rite of Spring with the composer in attendance, given […]
Here is a 10th Anniversary Special Edition of Philip Glass Selected Etudes performed by the pianist and composer, Giusto Di Lallo. This is interesting, as it presents a musicological, methodical approach to Glass’ music. Di Lallo poses a question to […]
We have met Musica Gloria on a number of occasions, most recently in live performance in Edinburgh, Scotland. Here, on the Etcetera label, they offer a selection of North German Cantatas from around 1700. This […]
This is an extraordinary reading of an extraordinary piece. Jérémie Rohrer came o the piece afresh, escheiwing recorded versions. He performs it at A = 430 Hz (which apart from its historical prescience, helps the […]
