Our resident critic has spent two nights at the opera: When the full history of sin is written, I hope it attends to why so many artists of the nineteenth century paid such great attention […]
Roving critic Susan Hall has been to see Meyerbeer’s Le Prophète at Bard College, its first US staging in almost half a century. Worth the wait? by Susan Hall Leon Botstein regularly produces musical works […]
While the Kennedy Center is busy cancelling gay events, its New York equivalewnt has named the stage and costume designer Clint Ramos as its artist in residence. Ramos, self-described as ‘designer, educator, activist and creative […]