September 20, 2026
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Lincoln Center – nothing to see here

Lincoln Center – nothing to see here

New York’s arts centre has just rolled out a totally woke new season:

Composer Jeanine Tesori is honored as the season’s Lincoln Center Visionary Artist, with stagings of her powerful opera Blue and her musical theater masterpiece Violet, a series of expansive public community choir performances, and collaborations across campus

The Legacies of San Juan Hill Festival features a series of events that celebrate the artistry in the historic neighborhood and build upon the Legacies of San Juan Hill initiative, with Etienne Charles, Aaron Diehl, and more

The Philip Glass Ensemble performs the composer’s pop crossover album in full, Songs From Liquid Days, in a new concert collaboration with New Latin Wave

A.I.M by Kyle Abraham returns with three works performed to live music, including the choreographer’s newest piece 2×4 set to an original score by Shelley Washington

The North American premiere of Pulitzer Prize-winning composer Du Yun’s The Ocean Etched in the Forest (刻在森林的海) created in collaboration with director and designer Julian Crouch exploring the musical heritage of the Jinuo people

Performances curated by Artists-in-Residence Mahogany L. Browne and Clint Ramos, including Browne’s poetry and spoken word series Seen, Sound, Scribe and Ramos’ curation of American Songbook

Sweep of series exploring a variety of genres, intersections of the arts and wellbeing, hands-on educational creative events, family performances from around the world, and more.

“We believe artists carry us forward in so many ways. They illuminate our individual lives, bring us together to appreciate one another, and encourage us to experience the world around us from angles we may never have otherwise considered,” said Shanta Thake (pic), Ehrenkranz Chief Artistic Officer of Lincoln Center for the Performing Arts. “This season, we offer a range of productions, series, and artist development initiatives that speak to shared histories, joyful and complex presents, and futures that seemed impossible just a few years ago.”

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