From the Lebrecht Album of the Week:
What’s this record doing on my deck? I have listened to Furtwängler’s own recordings of his overlong second symphony, and have heard it performed live by Daniel Barenboim with the Berlin Philharmonic without walking out. The work spends three-quarters of an hour going nowhere.
Furtwängler composed it in Switzerland after fleeing Berlin...
Read on here.
The post Why am I listening to this emptiness all over again? appeared first on Slippedisc.
The persistent journalist Axel Brüggemann has obtained confirmation of long-running rumours that the artistic director of the Salzburg Festival Markus Hinterhäuser has been blacklisted by the Cafe Bazar, a popular watering hole. Ours not to […]
Hungarian conductor Ádám Fischer returns to Haydn: his complete recording of all of the symphonies with the Austro-Hungarian Haydn Orchestra. Here he is again, in a less remnant acoustic this time (the concert hall of […]
The press release below reports the rare capitulation of a professional symphony orchestra to the political bias of a solo pianist. It would be helpful if the MSO were to amplify the ‘safety concerns’ that […]
