Williams, Ortiz, Dvořák María Dueñas (violin); Los Angeles Philharmonic Orchestra / Gustavo Dudamel (conductor). Barbican Hall, 02.06.2024 John WIlliams Olympic Fanfare and Theme (1984) Gabriela Ortiz Altar de cuerda (LA Phil commission; UK premiere, 2021) Dvořák Symphony No. […]
Messiaen Vingt régards de l’enfant Jésus (1944) Nicolas Hodges (piano). Wigmore Hall, 31.05.2024 The last time I heard Messiaen’s vast Jesus-oriented canvas was at Milton Court in 2016 (review), Pierre-Laurent Aimard was the pianist, a […]
Giordano Andrea Chénier Cast; Chorus and Orchestra of the Royal Opera House, Covent Garden / Sir Antonio Pappano. 30.05.2024 Production: Director – David McVicar Revival director – Thomas Guthrie Set designer – Robert Jones Costume […]
A disc of Preludes is not so unusual: but here there is no Chopin or Debussy in sight. Instead, Anton Arensky rubs shoulders with Rachmaninoff; Ravel meets Gershwin. I enjoyed Japanese pianist Yuki Negishi’s debut […]
What Is the Use of Music Criticism Today? Guest article by Hana Gubenko What is the use of music criticism in an era when everyone feels free to form their own opinions, to like something […]
Music In The Round: Romantic Piano Mishka Rushdie Momen (piano). Crucible Playhouse, Sheffield, 11 am, 23.05.2024 Schumann Gesange der Frühe, Op. 133: No. 1 (1853) Fauré Nocturne No. 13 in B minor, Op. 119 (1921) Ramean Le […]
Ensemble 360. Crucible Playhouse, 22.05.2024 Ravel Berceuse sur le nom de Gabriel Fauré, MA 74 (1972) Saint-Saëns Oboe Sonata in D major, Op. 166 (1921) Adès Alchymia (2021) Messager Solo de Concours (1899) Franck Piano Quintet in F minor, […]
Music In The Round: Saint-Saëns; The Renaissance Man Ensemble 360 / George Morton (conductor, L’assassinat du duc de Guise). Crucible Playhouse, 21.05.2024 Morceau de concert in F minor, Op. 94 / R 203 (1887) Bassoon […]
Best known these days (if at all) for his operetta Merrie England, Edward German (1862-1936) was once highly respected. Sir Arthur Sullivan once famously said of German that he was “the one man to follow […]
Winner of the 2021 Deutscher Musikwettbewerb, Max Volber carries forward the Baroque tradition of insatiable transcribing in his new disc. He is heard as recorder player on this disc, but is also an active harpsichordist, […]
